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1. Academic study of a man, half-length; Study of a kneeling male nude; Study of a — Benjamin West
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Barocci, 1579
3. Study of a Lion and Study of a Lioness' Head — John Frederick Lewis, 1820
4. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Barocci, 1579
5. Studiet af hænder — Leonardo da Vinci
6. Studie af en apostelshoved og arkitektonisk studie — Leonardo da Vinci, 1494
7. Drapery Study. Study for Semiramis Building Babylon — hilaire-germain-edgar degas
8. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Barocci, 1583
9. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Barocci, 1583
10. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
11. Study of a Ballet Dancer (recto); Two Studies of Dancers (verso) — hilaire-germain-edgar degas, 1873
12. Study of a Female Figure in Profile, with Related Studies of a Hat and Right Hand — Adolph von Menzel
13. Study of a Woman Spinning and Five Studies of Hands — Jean-Antoine Watteau, 1700

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1. Study for a Painting (Compositional Study) — David Bomberg
2. Study of a Woman Spinning and Five Studies of Hands — Jean-Antoine Watteau, 1700
3. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
4. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Barocci, 1583
5. Studiet af hænder — Leonardo da Vinci
6. Study of a Lion and Study of a Lioness' Head — John Frederick Lewis, 1820
7. Studie af en gammel mand – Studie i vand — Leonardo da Vinci
8. Study for Madonna Enthroned with Saints, study of figures, and study of Hagar and her son Ishmael — noè bordignon
9. Reclining Girl (Juliet); Two Studies of Hands (Study for — Gustav Klimt, 1887
10. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Barocci, 1583
11. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Barocci, 1583
12. Study of a Ballet Dancer (recto); Two Studies of Dancers (verso) — hilaire-germain-edgar degas, 1873
13. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Barocci, 1579
14. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Federico Barocci, 1579
15. Four works: Figure studies from Sonnino, Italy; Figure studies; Gothic pillar; Landscape study — Rudolf von Alt
16. Study for composition no. 7 Study for a panel for the Como Sailing Club in Como — Carla Badiali, 1933
17. A Male Nude Study; And A Female Nude Study — William Etty
18. Academic study of a man, half-length; Study of a kneeling male nude; Study of a — Benjamin West
19. Studie af en apostelshoved og arkitektonisk studie — Leonardo da Vinci, 1494
20. Study for a Tapestry (study for Spatial Ikat III) — Lia Cook, 1976

other

1. Study for Cinematic Mural, Study VII — Fernand Léger, 1938
2. Study with Figures. Study for 'La Grande Jatte' — Georges Pierre Seurat, 1885