Zeitraum

Bewegung

1. The Awakening of Adonis — John William Waterhouse
2. Emma Sandys, the Artist's Sister — Anthony Frederick Augustus Sandys, 1855
3. Twins (also known as Kate and Grace Hoare) — Sir John Everett Millais, 1876
4. Thomas Hyde Hills (1815–1891), President of the Pharmaceutical Society (1873–1876) — Sir John Everett Millais, 1873

Stimmung

1. Mary Chamberlain — Sir John Everett Millais, 1891
2. The Honourable John Nevile Manners — Sir John Everett Millais, 1896
3. Das Lösegeld — Sir John Everett Millais
4. The Music Lesson — Sir Frederic Lord Leighton, 1877
5. Ophelia (And will he not come again.'')'' — Arthur Hughes, 1863
6. Sweet Emma Morland — Sir John Everett Millais, 1892
7. Cupid's Hunting Fields — Edward Coley Burne-Jones
8. Emily Patmore — Sir John Everett Millais, 1851
9. Vertraulichkeiten — lourens alma tadema
10. The Music Lesson — Sir Frederic Lord Leighton, 1877

Themen

Schlagworte

Tonwert

1. The Music Lesson — Sir Frederic Lord Leighton, 1877
2. Spirit Of Spring — Alphonse Maria Mucha
3. Cupid's Hunting Fields — Edward Coley Burne-Jones
4. The Music Lesson — Sir Frederic Lord Leighton, 1877

Hauptfarbe

1. The Music Lesson — Sir Frederic Lord Leighton, 1877
2. an idyll — Albert Joseph Moore, 1893
3. Sweet Emma Morland — Sir John Everett Millais, 1892
4. The fluttering butterfly — Oliver Rhys
5. Selbstporträt — William Holman Hunt, 1845
6. Cupid disarmed — Guillaume Seignac
7. Rebecca — Oliver Rhys
8. The Awakening of Adonis — John William Waterhouse
9. Ophelia (And will he not come again.'')'' — Arthur Hughes, 1863
10. Spirit Of Spring — Alphonse Maria Mucha
11. Lesen — Sir Edward John Poynter
12. gather ye rosebuds while ye may — John William Waterhouse
13. Cupid's Hunting Fields — Edward Coley Burne-Jones
14. Das Lösegeld — Sir John Everett Millais
15. Thomas Hyde Hills (1815–1891), President of the Pharmaceutical Society (1873–1876) — Sir John Everett Millais, 1873

andere

1. Lightning and Light — Albert Joseph Moore, 1892
2. John Henry, Cardinal Newman — Sir John Everett Millais, 1881