1790
45.0 x 31.0 cmHand-painted oil on canvas in your size and frame, made to order by our artists. (
Buy Print Buy Image)
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (14 August). No compromise on quality.
Frederika Sophia Wilhelmina of Prussia (1751-1820). Wife of Prince Willem V, in the Temple of the Arts, Benjamin Samuel Bolomey, 1760 - 1790
Reproduction Size
Benjamin Samuel Bolomey was born on May 19, 1739, in Lausanne, Switzerland, to François Louis Bolomey, an hotelier, and Pernette Mercier. He began his artistic journey early, moving to Paris in 1752 to pursue studies as a pastel portrait painter. He formally became a pupil of Joseph-Marie Vien in 1758, further refining his skills under the guidance of this prominent artist.
During his Parisian period, Bolomey was also influenced by the works of Boucher and La Tour, absorbing elements from their distinct styles that would later inform his own artistic approach.
In 1763, Bolomey relocated to The Hague, joining the Confrerie Pictura – a prestigious society of artists. He quickly established himself as a sought-after portrait painter, becoming court painter to William V, Prince of Orange. This position allowed him access to Dutch high society and provided numerous opportunities to create portraits of prominent figures.
Bolomey’s success continued with his appointment as regent of the Confrerie in 1771. He further solidified his influence by becoming director of the Royal Academy of Art in The Hague from 1777 until 1791.
Bolomey’s artistic style is characterized by refined portraiture, often executed in pastel. His portraits capture the personality and status of his sitters with a delicate touch and attention to detail. While influenced by French Rococo aesthetics through Boucher, and Vien's neoclassical leanings, Bolomey developed a distinctive approach that blended elegance with realism.
In 1791, Bolomey returned to his hometown of Lausanne. During the years of the Helvetic Republic (1798–1803), he painted a series of portrait miniatures depicting politicians and revolutionaries from Vaud – then part of the canton of Bern.
Following Vaud’s establishment as a Swiss canton, Bolomey transitioned into politics, serving as a member of the Grand Council of Vaud from 1803 to 1807. This demonstrates his commitment to civic duty alongside his artistic pursuits.
Benjamin Samuel Bolomey’s work provides valuable insights into the social and political landscape of both the Netherlands during the late 18th century and Switzerland during a period of significant change. His portraits offer a glimpse into the lives of prominent individuals, while his miniatures document a pivotal moment in Vaud's history.
He died in Lausanne on December 19, 1819, at the age of 80, leaving behind a legacy as both a skilled artist and an engaged citizen. His contributions to portraiture and his involvement in Swiss politics mark him as a notable figure in European history.
1739 - 1819 , Switzerland
Stay updated with the latest art news, exclusive offers, and decoration ideas.
Tell us about your project and our art experts will provide you with 3 personalized art suggestions.
Let Us Curate 3 Options Just for You - Free!
Preview
Send
Share
Details
Download
Similars
X-Ray
Diaporama
Read More
Glass option is only available in size under 110 CM
