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Natalia Astanova: A Chronicle of Embroidered Symbolism Natalia Astanova, born in Pula, Croatia in 1986, is a compelling contemporary artist whose work resides at the intersection of traditional embroidery and modern conceptual art. While relatively unknown outside specialist circles currently, her unique approach – particularly evident in pieces like ‘The Woodpecker with Pregnancy. The House on the Birch. And the Cell Phone’ (2019) –…
Scroll through natalia astanova's working life — artwork by artwork, chapter by chapter — from the earliest dated work to the last. Each thumbnail is pinned at its exact year on the gold axis.
The ribbon is divided into shaded bands, one per career chapter. Each chapter groups natalia astanova's works by their historical period — early training, mature practice, final years.
Every thumbnail is pinned at its precise creation year. A thin gold thread drops from the image to its exact point on the axis. Larger frames mark the artist's masterpieces by rank.
The gradient bar beneath the axis shifts colour as the dominant art movement changes over time — from the warm golds of the early period through the deeper tones of maturity. It fills progressively as you scroll.
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