The Architecture of the DotBorn in 1973, Damien Dupuis has redefined the boundaries of contemporary digital imagery through his signature Blown-Up Halftone Pop aesthetic. Based in Lyon, Dupuis directs his gaze toward the mechanical soul of mass media, magnifying the microscopic grain of newsprint and …
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
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