période

1. A distant view of Mt Athos — Edward Lear, 1856
2. Jerusalem — Edward Lear, 1865
3. View of Beirut — Edward Lear, 1861
4. The Plains of Lombardy from Monte Generoso — Edward Lear, 1880

mouvement

1. Les montagnes de Thermopyles — Edward Lear, 1852

ambiance

1. Les montagnes de Thermopyles — Edward Lear, 1852
2. View of Beirut — Edward Lear, 1861
3. The Plains of Lombardy from Monte Generoso — Edward Lear, 1880

thématiques

1. A distant view of Mt Athos — Edward Lear, 1856

mots-clés

tonalité

1. Les montagnes de Thermopyles — Edward Lear, 1852
2. View of Beirut — Edward Lear, 1861

couleur principale

1. Jerusalem — Edward Lear, 1865
2. Cattaro, Yugoslavia — Edward Lear, 1866
3. Mistra — William Linton
4. A Distant View Of Rome — George Edwards Haring
5. The Plains of Lombardy from Monte Generoso — Edward Lear, 1880
6. Arundel Castle, Sussex — thomas whittle, 1890
7. View of Beirut — Edward Lear, 1861
8. View Of Sermoneta, Italy — Edward Lear
9. Wooded Landscape with Figures — John Rathbone
10. Carrières de Syracuse — Edward Lear, 1847
11. The Entry of George IV into Edinburgh from the Calton Hill, 1822 — John Wilson Ewbank
12. Road near Galle, Ceylon — Edward Lear, 1879
13. Les montagnes de Thermopyles — Edward Lear, 1852
14. A distant view of Mt Athos — Edward Lear, 1856
15. View of Orvieto — Joseph Mallord William Turner, 1829
16. Harlech Castle from Cae Llan — John Kelt Edwards, 1905
17. Lancaster From The Stone Quarries — William Linton
18. Bacharach Am Rhein — James Baker Pyne
19. Classical Landscape With Figures Near A Fountain — Francisque Millet
20. Edinburgh from Corstorphine — Frederick Henry Henshaw, 1846

autre

1. Bluemont Farm — edward bruce, 1937
2. Edinburgh From The Calton Hill — Alexander Nasmyth
3. A View of Tivoli — andrew wilson, 1834
4. Autoportrait — Rembrandt van Rijn, 1629