periodo

  1. Studio per la Testa — Raffaello, 1507
  2. Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter — Raphael Coxcie, 1518
  3. Studio di Dio Padre — Raffaello, 1515
  4. Multiplication of the Loaves and Fishes — Giovanni Antonio Sogliani, 1536
  5. Concert Champêtre — Girolamo Romanino
  6. Allegory of the Virtues of Federico II Gonzaga — Giulio Romano, 1531

movimento

  1. Studio per Adamo — Raffaello, 1509
  2. Studi per la Trasfigurazione — Raffaello
  3. Study for St. Paul Preaching in Athens — Raffaello, 1515
  4. Studio per la Testa — Raffaello, 1507
  5. Studio di Dio Padre — Raffaello, 1515
  6. Study for the figure of Diogenes in the — Raphael Coxcie, 1510
  7. Studi della Madonna — Raffaello, 1513

atmosfera

  1. Studio di Dio Padre — Raffaello, 1515

parole chiave

colore principale

  1. Confirmation of the Rule — Domenico Ghirlandaio, 1483
  2. Allegory of the Virtues of Federico II Gonzaga — Giulio Romano, 1531
  3. Concert Champêtre — Girolamo Romanino
  4. Oil Study of a Plaster Bust — robert ernest mceune
  5. Visitation — Luca Giordano
  6. Studio di Dio Padre — Raffaello, 1515
  7. Two Superimposed Oil Studies — Alexej von Jawlensky, 1909
  8. Studio per la Testa — Raffaello, 1507
  9. Ritratto Doppio — Raffaello, 1516
  10. Multiplication of the Loaves and Fishes — Giovanni Antonio Sogliani, 1536
  11. Tre studi di Isabel Rawsthorne, su tela singola — Francis Bacon
  12. Fonte Gaia — Jacopo Della Quercia, 1409
  13. Martyrdom of Saint Lawrence — Luca Giordano
  14. Lamentation (from the sketchook, folios 57b-58a) — Jacopo Bellini, 1440
  15. Studio per Adamo — Raffaello, 1509
  16. Study for the figure of Diogenes in the — Raphael Coxcie, 1510
  17. Studi della Madonna — Raffaello, 1513
  18. Lo scorticamento di Marsia — Giulio Romano, 1525
  19. Study for St. Paul Preaching in Athens — Raffaello, 1515
  20. Studi per la Trasfigurazione — Raffaello
  21. Kneeling King with Two Angels — Matthias Grünewald, 1515
  22. The Adoration of the Magi — Charles Alphonse Du Fresnoy, 1628