빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
수제 페인팅으로 전환하기 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Untitled
복제본 크기
n. krishna reddy (1925-2018) was an Indian master printmaker, sculptor, and teacher whose innovative approach to intaglio printing – particularly his pioneering use of viscosity printing – revolutionized the field and influenced generations of artists. His vibrant, intricate abstract compositions stand as a testament to his artistic vision and technical skill.
Born on July 15, 1925, in Nandurbar, Chittoor district, India, Krishna Reddy’s early exposure to art came through the rich cultural landscape of his homeland. He began his formal artistic training at Visva-Bharati University's Kala Bhavana (Institute of Fine Arts) from 1941 to 1946, studying under the guidance of the renowned artist Nandalal Bose. This foundational period instilled in him a deep appreciation for traditional Indian art forms and principles.
Following his graduation, Reddy served as the head of the art section at Kalakshetra Foundation from 1947 to 1949 and also taught art at the Montessori Teachers' Training Centre in Madras. During this time, he explored both sculpture and painting alongside printmaking. A pivotal moment came in 1949 when he moved to London to study with Henry Moore at the Slade School of Fine Arts, University of London. This exposure broadened his artistic horizons and introduced him to modern sculptural practices.
His journey continued to Paris, where he encountered the influential sculptor Constantin Brâncuși. Brâncuși’s encouragement extended beyond technical instruction; he facilitated Reddy's integration into Parisian art circles, introducing him to numerous prominent artists and fostering stimulating intellectual discussions. He further honed his sculptural skills under Ossip Zadkine.
Reddy’s artistic style evolved towards colorful, intricate abstractions. However, it was his experimentation with printmaking techniques that truly set him apart. He became a master of intaglio printing and is best known for developing and perfecting viscosity printing – a technique involving the use of multiple colors and varying ink consistencies on a single plate to create richly textured and layered images. This innovative approach allowed him to achieve painterly effects within the printmaking medium, blurring the boundaries between the two disciplines.
N. Krishna Reddy’s contribution to modern art lies in his ability to synthesize Eastern artistic traditions with Western techniques and philosophies. He challenged conventional notions of printmaking, elevating it from a reproductive medium to a powerful form of original expression. His work continues to inspire artists today, solidifying his place as an iconic figure in the history of 20th-century art. He passed away on August 22, 2018, at the age of 93, leaving behind a rich and enduring artistic legacy.
1925 - 2018 , India
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