Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. ( Switch to Print
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Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Wereldwijde levering () binnen 3/4 weken in plaats van de standaard 5 weken. (28 juli). Geen concessies aan de kwaliteit.
Expressionistische Landschaft
Afmetingen reproductie
Hermann Scherer was born in Rümpingen, Baden-Württemberg, Germany, in 1893. He began his artistic journey not with a brush, but with stone. After leaving school in 1907, he undertook an apprenticeship as a stonemason at the Schwab workshop in Lörrach. This foundational training would profoundly influence his later sculptural work and understanding of form.
From 1910 to 1919, Scherer honed his skills working with a series of Basel sculptors – Carl Gutknecht, Otto Roos, and Carl Burckhardt. Working as a laborer and later an assistant for Roos allowed him to establish a small workshop of his own. This period was crucial in developing his technical abilities and artistic vision. In 1919, Scherer underwent a significant shift, rejecting much of his earlier work and embracing a more contemporary approach to art.
The early 1920s marked a period of intense artistic exploration for Scherer. He was deeply influenced by the German painters Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff. A visit to an exhibition of Edvard Munch’s work in Zurich further ignited his passion for Expressionism. He forged a close relationship with Kirchner, traveling to Davos for extended painting trips from 1922 to 1924.
In late 1924, Scherer co-founded the artist group Rot-Blau (Red-Blue) with Albert Müller and Paul Camenisch, later joined by Werner Neuhaus. Their debut exhibition at the Basler Kunstverein in 1925 provoked a strong public reaction; some works were deemed offensive in both Basel and Zurich. Despite this controversy, Rot-Blau became an important force in Swiss Expressionism.
Although his friendship with Kirchner cooled in 1925, their shared commitment to Expressionism remained. Kirchner continued to support the Rot-Blau group, showcasing their work at an international art exhibition in Dresden in 1926. Sadly, Scherer’s career was cut short by illness. He became seriously ill in autumn 1926 and died in Basel on May 13, 1927.
Hermann Scherer’s work represents a vital contribution to Swiss Expressionism. His bold use of color, emotive subject matter, and innovative approach to both painting and sculpture continue to resonate with audiences today. He remains a notable figure in the history of 20th-century art.
1893 - 1927 , Germany
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