period

1. Odysseus and Calypso — Max Beckmann, 1943
2. Podul Fierului (Vederea din Frankfurt) — Max Beckmann, 1922
3. Seascape with poplars — Max Beckmann, 1924
4. Temptation — Max Beckmann, 1937
5. Noaptea — Max Beckmann, 1919
6. Self-Portrait with Trumpet — Max Beckmann, 1938
7. Columbine — Max Beckmann, 1950

movement

1. Rugby players — Max Beckmann, 1929
2. Podul Fierului (Vederea din Frankfurt) — Max Beckmann, 1922
3. Temptation — Max Beckmann, 1937

vibe

1. Rugby players — Max Beckmann, 1929
2. Perseus. Triptych — Max Beckmann
3. Odysseus and Calypso — Max Beckmann, 1943
4. Podul Fierului (Vederea din Frankfurt) — Max Beckmann, 1922
5. The King — Max Beckmann, 1937
6. Actresses — Max Beckmann, 1946
7. D'où venons nous Que sommes-nous Où allons-Nous — Paul Gauguin
8. Temptation — Max Beckmann, 1937
9. Noaptea — Max Beckmann, 1919
10. Self-Portrait with Trumpet — Max Beckmann, 1938
11. Columbine — Max Beckmann, 1950

topics

keywords

tone

1. Rugby players — Max Beckmann, 1929

main color

1. Self-Portrait with Trumpet — Max Beckmann, 1938
2. Max and Quappi — Max Beckmann
3. Rugby players — Max Beckmann, 1929
4. Columbine — Max Beckmann, 1950
5. Podul Fierului (Vederea din Frankfurt) — Max Beckmann, 1922
6. Odysseus and Calypso — Max Beckmann, 1943
7. Beginning — Max Beckmann
8. The argonauts — Max Beckmann, 1950
9. Perseus. Triptych — Max Beckmann
10. Seascape with poplars — Max Beckmann, 1924
11. D'où venons nous Que sommes-nous Où allons-Nous — Paul Gauguin
12. Sleeping Nilly — Ernst Ludwig Kirchner
13. The argonauts, Private collection, New — Max Beckmann, 1950
14. Temptation — Max Beckmann, 1937
15. Beginnning — Max Beckmann, 1949
16. Beginnning, Metropolitan Museum of Art, N — Max Beckmann, 1949
17. Still Life with Champagne Bottles and Orchids in Brown and Yellow — Max Beckmann
18. The prodigal son — Max Beckmann, 1949
19. The King — Max Beckmann, 1937
20. Temptation, bayerische staatsgemaldesa — Max Beckmann, 1937
21. Tower Room. Selfportrait with Erna — Ernst Ludwig Kirchner

other

1. Self-portrait with champagne glass — Max Beckmann, 1919