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PreviewPreview اطلب نسخة مرسومة يدوياً اطلب نسخة مرسومة يدوياًشراء الصورة بدقة عالية شراء الصورة بدقة عالية مشاركةمشاركة
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Figural Composition 2

  • تاريخ الإنشاء1932
  • الأبعاد64.0 x 48.0 cm

George McNeil (1908-1995) was a pivotal Abstract Expressionist painter known for dynamic, colorful compositions evolving from pure abstraction to incorporate figuration & themes of modern life. A key figure in the New York School.

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب.

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اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

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يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

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Figural Composition 2

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

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السيرة الذاتية للفنان

George McNeil: Pioneer of Dynamic Abstract Expressionism

George McNeil (1908 – 1995) stands as a significant figure within the American Abstract Expressionist movement, specifically recognized for his evolution from early explorations of pure abstraction to incorporating expressive figurative elements—a stylistic trajectory that cemented his place amongst the luminaries of New York’s artistic landscape. Born in Queens, New York City, on February 22nd, 1908, McNeil descended from an Irish Catholic working-class family, shaping formative influences on his worldview and artistic sensibilities. His education began at Brooklyn Technical High School followed by studies at Pratt Institute where he ultimately left without completing a degree. However, this early exposure to formal training proved invaluable as he honed his skills through meticulous copying of masterpieces at the Metropolitan Museum of Art and intensive coursework at the Art Students League under Jan Matulka in 1931-32—a period that instilled foundational techniques for collage and artistic experimentation. From 1936 to 1936 McNeil’s artistic journey intersected with Hans Hofmann, becoming his monitor and teaching a class focused on collage – an association that profoundly impacted his stylistic development. This collaboration fostered a deep understanding of Hofmann's reductive approach to painting, prioritizing essential forms and colors over representational detail. Recognizing the urgency of supporting artists during the Great Depression, McNeil joined the Works Progress Administration’s Mural and Easel Section in 1936, undertaking ambitious projects that showcased his burgeoning talent and commitment to social engagement. His marriage to Dora Tamler in 1936 solidified a familial bond alongside artistic partnership, resulting in two children: Helen and James—a grounding influence on his personal life mirroring the expansive reach of his creative endeavors. The Second World War brought McNeil into service with the United States Navy from 1943 to 1946 – an experience that undoubtedly broadened his perspective and fueled his artistic drive. Further enriching his intellectual pursuits, he earned a Doctor of Education (Ed.D.) from Columbia University—demonstrating a dedication to lifelong learning beyond purely artistic pursuits. McNeil’s engagement with Abstract Expressionism intensified in the late 1940s, establishing residency in Laramie, Wyoming and later teaching at UC Berkeley during 1956-57 – locations that nurtured his artistic vision amidst vibrant creative communities. Throughout his prolific career, he consistently explored Provincetown, Massachusetts summers as an artist colony participant from 1948 to 1962—a tradition reflecting the importance of sustained artistic practice and collaborative exchange. George McNeil passed away peacefully in Brooklyn on January 11th, 1995, leaving behind a legacy of impactful artwork that continues to resonate with collectors and art historians alike.
  • Notable Works: “Untitled, from the portfolio The New Provincetown Print Project,” “Surprize 4”
  • Influences: Hans Hofmann’s reductive approach; Early Cubist explorations.
  • Style Characteristics: Dynamic compositions; Bold color palettes; Evolution from pure abstraction to figurative representation; Emphasis on painterly texture and emotional expression.
George McNeil's contribution to Abstract Expressionism resides not merely in his stylistic innovations but also in his embodiment of the movement’s core values—a fervent belief in artistic freedom, a commitment to conveying profound emotion, and an unwavering pursuit of formal experimentation. His enduring impact on American art history underscores the transformative power of artistic vision and dedication.
George McNeil

George McNeil

1908 - 1995

حقائق سريعة

  • Artistic Movement Or Style: Abstract Expressionism
  • Date Of Birth: 1908
  • Date Of Death: 1995
  • Full Name: George McNeil
  • Nationality: American
  • Notable Artworks: ['Untitled, from the portfolio The New Provincetown Print Project']
  • Place Of Birth: Queens, New York
  • Surprize 4", "Artists Who Influenced This Artist: ['Hans Hofmann']