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Chalice

Norwegian goldsmith iver windfeldt buch (1749-1811) crafted exquisite liturgical art, including the famed 1791 Chalice. Explore his legacy at the National Museum.

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. (Switch to hand made Painting Switch to hand made PaintingSwitch to Image Switch to Image)

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اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

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يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. 29 يوليو

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تأمين شحن شامل
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سياسة الإرجاع خلال 60 يومًا (في حالات العيوب فقط)
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إجمالي السعر

$ 75

reproduction

Chalice

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

-

السعر الإجمالي النهائي

$ 75


السيرة الذاتية للفنان

A Master of Liturgical Goldwork: The Legacy of iver Windfeldt Buch

iver windfeldt buch (1749 – 1811) stands as a singular figure in the artistic landscape of Norway and Russia during the late eighteenth century. Born in Drammen, he embarked on a remarkable career as a goldsmith, establishing himself as a prominent artisan within the opulent court of Catherine the Great—a testament to his skill and ambition. His contribution to Russian art patronage is undeniable, particularly exemplified by the commissioning of two magnificent liturgical sets for the Divine Liturgy in 1790 and, most famously, the breathtaking Chalice of 1791. Buch’s artistic journey began amidst a period of significant cultural exchange between Norway and Russia. Influenced by Baroque traditions prevalent across Europe, he honed his craft with meticulous attention to detail, mastering techniques that would elevate his creations beyond mere ornamentation. The Chalice itself—a centerpiece of the liturgical ensemble—is considered a pinnacle of Norwegian goldsmithing artistry. Crafted from gilded silver, it embodies intricate sculptural reliefs depicting biblical scenes and adorned with gemstones, reflecting the grandeur and piety characteristic of Catherine’s reign. The symbolism embedded within Buch's work speaks volumes about the intellectual climate of his time. The Chalice wasn’t simply a vessel for communion; it was a visual representation of faith—a tangible embodiment of spiritual ideals. Furthermore, Buch’s dedication to replicating classical forms and incorporating symbolic imagery demonstrates an awareness of artistic precedents and a desire to elevate his craft to new heights. His meticulous execution underscores the importance placed on craftsmanship and artistry within the Orthodox Church during this era. Beyond his liturgical commissions, buch's reputation extended throughout Russia where he was recognized for his talent and skill. He gained considerable acclaim for his work at the National Museum of Art, showcasing his artistic prowess and cementing his place in Norwegian art history. His biography appears in scholarly publications like ‘Passion of the Empress: Catherine the Great’s Art Patronage,’ highlighting the significance of royal patronage in fostering artistic innovation. References to him can also be found in Oxford Reference, solidifying his contribution to the broader understanding of eighteenth-century European art.
  • Notable Achievements: Commissioning and executing two liturgical sets for the Divine Liturgy (1790).
  • Creation of the Chalice of 1791: A masterpiece of Norwegian goldsmithing, showcasing intricate sculptural reliefs and gemstone embellishments.
  • Recognition at the National Museum of Art: Demonstrating his artistic talent and furthering his legacy in Norwegian art history.
His enduring influence can be seen in subsequent generations of Norwegian goldsmiths who sought to emulate his mastery—a testament to the lasting impact of a singular artist dedicated to elevating craftsmanship and conveying profound spiritual symbolism.
iver windfeldt buch

iver windfeldt buch

1749 - 1811 , Norway

حقائق سريعة

  • Artistic Movement Or Style: Liturgical Art
  • Date Of Birth: 1749 Drammen Norway
  • Date Of Death: 1811 St Petersburg Russia
  • Full Name: Iver Windfeldt Buch
  • Nationality: Norwegian
  • Notable Artworks:
    • Chalice (1791)
    • Liturgical Set (1790)
  • Place Of Birth: Drammen Norway