44.0 x 84.0 cmРъчно рисувана маслена картина върху платно във вашия размер и рамка, изработена по поръчка от нашите художници. (
Превключване към печат Превключване към изображение)
Изберете от предварително зададените размери, които съответстват на оригиналните пропорции на произведението.
Можете да въведете свои собствени размери, за да пасне на конкретна рамка или пространство. Ако избраният от вас размер не съответства на пропорциите на оригиналното изображение, ние ще изрежем произведението или ще удължим картината с допълнителни ръчно рисувани елементи. Дигитален макет ще бъде изпратен за ваше одобрение преди започване на производството.
Моля, обърнете внимание, че прегледът на екрана не отразява действителното изрязване или разширяване. Само макетът ще покаже точно финалния състав.
Въпреки че са налични персонализирани размери, препоръчваме да изберете размер от предварително дефинирания списък, за да запазите оригиналните пропорции.
Доставка по целия свят () в рамките на 3/4 седмици вместо стандартните 5 седмици. (4 Август). Без компромис с качеството.
'Sardinian'
Размер на репродукцията
John Charlton (1849–1917) was a prominent painter of battle pictures and a frequent illustrator for The Graphic although he did not serve as a war artist. In London he studied under John Dawson Watson, one of the leading illustrators of the mid-nineteenth century.
Charlton’s particular talent was the depiction of horses whether on the racecourse, in the hunt, or on the battlefield, and his battle pictures which were exhibited at the Royal Academy, the Paris Salon nd elsewhere, generally include horses charging or hauling guns, although in three interesting pictures which are unlocated, After the Battle: Sedan, Bad news from the Front, and Abandoned, Charlton produced scenes almost devoid of human figures after a failed charge. The only figure is a dead cuirassier and his mount lying where they have fallen.
Charlton also painted scenes from history including Montrose's march from Inverlochy and General Seydlitz at the Battle of Rossbach (in 1914 the picture was interned in Germany and has not been seen since). He was awarded a third class medal at the Exposition Universelle in Paris, for a painting depicting an episode in the Sudan War. The Great War was immensely painful for him as he lost two sons, both described as exceptionally promising young men.
Charlton’s artistic journey began with formative lessons from his father and continued under the guidance of William Bell Scott at Newcastle School of Arts. Recognizing the potential for advancement in London's art world, he moved south and enrolled in South Kensington Museum’s classes, honing his skills alongside fellow illustrators like Watson.
His early career focused on capturing animal subjects—particularly horses—with remarkable accuracy and detail, fueled by commissions from families eager to commemorate their beloved pets. This dedication to realism established him as a respected artist within the British animal painting tradition.
Charlton’s breakthrough came with his illustrations for The Graphic, where he skillfully blended narrative storytelling with artistic flair. He gained renown for portraying historical events and military campaigns, notably capturing the fervor of the Crimean War and the grandeur of Napoleonic battles.
Throughout his prolific output, Charlton consistently explored themes of heroism, courage, and the human condition amidst conflict—often depicting horses as symbols of strength and resilience. His meticulous attention to detail and dramatic use of light contributed to the enduring power of his paintings.
His artistic legacy extends beyond individual masterpieces; Charlton’s influence can be seen in subsequent generations of artists who embraced the Romantic spirit and sought to convey emotion through vivid imagery. He remains a celebrated figure in British art history, remembered for his unwavering commitment to capturing the essence of both animal life and military action.
Charlton's artistic output spanned decades, encompassing landscapes, portraits, and numerous battle scenes—most notably those depicting pivotal moments from the Napoleonic Wars and the Crimean War. His depictions of cavalry charges were particularly noteworthy for their dynamism and realism.
Despite facing personal tragedy—the loss of his two sons during World War I—Charlton persevered in his artistic pursuits, producing poignant canvases that reflected his profound grief and commemorated his children’s memory. These works stand as testament to his unwavering spirit and enduring connection to the human experience.
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Стъклото е налично само в размери под 110 см
