SculptureSculptureContemporary Art
2017Contemporary
700.0 x 200.0 cm
Postman Cheval's Ideal PalaceGiclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
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Flying Machine
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In the sweeping expanse of Flying Machine, Lebanese artist Ali Cherri invites us into a dreamscape where the boundaries between engineering and imagination dissolve. Created in 2017, this monumental work serves as a profound tribute to the pioneers of aviation, weaving together the historical legacies of Abbas Ibn Firnas, Leonardo da Vinci, and the Wright Brothers. The painting presents a large, intricate wooden structure that evokes the delicate anatomy of a dragonfly, suspended before a building crowned with a verdant green roof. This juxtaposition of heavy, grounded architecture with the skeletal, airy lightness of the machine creates a breathtaking tension, capturing that precise moment of human longing to transcend the earth.
The composition is far from a solitary study; it is a living, breathing scene populated by figures that ground the fantastical element in a sense of communal wonder. As people move through the landscape—some gathered near the building and others scattered across the terrain—the artwork takes on a playful, almost nostalgic atmosphere. The presence of these onlookers transforms the flying machine from a mere object of technology into a shared cultural event, a spectacle of hope that unites the observers in their collective gaze toward the sky. For the collector or interior designer, this piece offers a unique narrative depth, blending the whimsical charm of a playground with the intellectual weight of historical progress.
Beyond its visual splendor, Flying Machine is a meditation on transformation and the preservation of memory. Ali Cherri, an artist renowned for documenting the cultural heritage of Lebanon, utilizes this piece to explore how innovation is rooted in our ancestral aspirations. The wooden textures of the machine suggest something organic and ancient, as if the dream of flight is an evolutionary impulse rather than a modern invention. The use of wood—a material that breathes and ages—symbolizes the fragility of these early scientific attempts and the enduring nature of human curiosity.
The emotional impact of the work lies in its ability to evoke a sense of "nostalgia for the future." It looks backward at the legends of flight while simultaneously pointing toward the infinite possibilities of what is yet to come. The subtle interplay of light across the wooden struts and the soft greenery of the roof creates a serene, contemplative mood that can anchor a sophisticated interior space. Whether placed in a grand gallery or as a focal point in a contemporary living room, this reproduction brings with it an aura of intellectual curiosity and a quiet, soaring elegance that inspires anyone who gazes upon its intricate details.
In the contemporary art landscape, few voices resonate with the profound sensitivity to heritage and transformation found in the work of Ali Cherri. Born in Beirut in 1976, Cherri’s artistic identity is inextricably linked to the complex, layered histories of Lebanon and the broader Middle Eastern landscape. His practice, which seamlessly weaves together the tactile presence of sculpture with the ephemeral nature of film, serves as a meticulous documentation of cultural memory. Moving from his formative years in Beirut to pursuing advanced studies in Amsterdam and Paris, Cherri has developed a global perspective that remains deeply rooted in the soil of his homeland. His work does not merely observe the passage of time; it seeks to capture the very essence of metamorphosis, exploring how landscapes, architectures, and identities shift under the pressures of globalization and conflict.
Cherri’s artistic evolution is marked by a transition from exploring urban narratives and architectural spaces to investigating much larger, more symbolic themes. His sculptural practice, in particular, is renowned for its ambitious scale and its ability to embody complex philosophical ideas through physical form. A definitive example of this is his 2017 masterpiece, Flying Machine. This monumental wooden sculpture, designed with the intricate anatomy of a dragonfly, acts as a profound tribute to the pioneers of aviation—from the scientific visions of Abbas Ibn Firnas and Leonardo da Vinci to the historic breakthroughs of the Wright Brothers. By utilizing wood, a material deeply embedded in Lebanese tradition, Cherri creates a tension between the organic, ancient textures of the earth and the soaring, technological aspirations of the human spirit. The piece functions as more than an object; it is a tangible manifestation of his belief in confronting challenges through adaptation and flight.
Beyond the physical weight of his sculptures, Cherri’s work as a filmmaker and video installation artist allows him to delve into the temporal dimensions of history. Using both found and original footage, he constructs multi-channel installations that act as portals to significant historical sites. His explorations have taken him from the grandeur of ʻIolani Palace in Hawaii—capturing the transformative legacy of the Hawaiian monarchy—to the archaeological depths of the Middle East. Through these cinematic endeavors, Cherri investigates how sites of power and memory are reshaped by time, creating a dialogue between the seen and the unseen, the historical and the contemporary. His films often function as meditations on the preservation of culture against the eroding forces of modernity.
The significance of Ali Cherri’s contribution to contemporary art is reflected in his extensive exhibition history at some of the world's most prestigious institutions. His work has graced the halls of the Guggenheim New York, the Tate Modern in London, and the Centre Georges Pompidou in Paris. His presence at major international gatherings, such as the Venice Biennale and the Berlinale Film Festival, underscores his role as a vital voice in the global art dialogue. Through these diverse platforms, Cherri continues to challenge his audience to look closer at the traces of the past, finding beauty in the wreckage of history and hope in the persistent human drive toward transformation.
To understand the breadth of his impact, one might consider the following milestones of his career:
1976 - , Lebanon
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