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Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere.
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Levering i hele verden () på 3/4 uger i stedet for de standard 5 uger. (23 juli). Ingen kompromiser med kvaliteten.
Falling And Crying
Størrelse på reproduktion
Aurél Bernáth (born Makó, Hungary in 1895 – died 1982) was a prominent Hungarian painter and art theorist. He received his foundational artistic training at Nagybánya, studying under the guidance of István Réti and János Thorma. This early exposure to the Nagybánya school of plein-air painting would significantly shape his approach to landscape and color.
Bernáth’s life was marked by the upheaval of the First World War, in which he served as a soldier. Following the war, in 1921, he relocated to Vienna, Austria. It was during this period that his artistic style began to be heavily influenced by the burgeoning German Expressionist movement.
A pivotal moment in Bernáth’s career came with an invitation from Herwarth Walden to exhibit his work at the renowned Sturm Gallery in Berlin between 1922 and 1924. This exposure placed him amongst some of the most avant-garde artists of the time, solidifying his commitment to Expressionist principles.
In 1926, Bernáth returned to Hungary and became a leading figure in the Képzőművészek új társasága (New Society of Artists), commonly known as KUT. He was particularly associated with the Gresham Circle during the 1930s, a group of artists who challenged traditional artistic norms and explored new forms of expression.
Bernáth dedicated much of his life to education, teaching at the Hungarian Academy of Fine Arts from 1945 to 1974. He also contributed significantly to art discourse as an editor for the journal Hungarian Art from 1948 to 1949. After 1947, his writings on art theory gained considerable popularity and influence within Hungarian artistic circles.
Aurél Bernáth’s work represents a crucial link between Hungarian art and the broader European Expressionist movement. His contributions as both an artist and a theorist helped to shape the development of modern art in Hungary. He is referenced in several key art encyclopedias, including the Benezit Dictionary of Artists and the Vollmer Encyclopedia.
1895 - 1982 , Hungary
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Glasmulighed er kun tilgængelig i størrelser under 110 cm
