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Diasshow
1987
183.0 x 244.0 cmHåndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere.
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Levering i hele verden () på 3/4 uger i stedet for de standard 5 uger. (22 juli). Ingen kompromiser med kvaliteten.
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Størrelse på reproduktion
David Wojnarowicz was born in 1954 in Red Bank, New Jersey, into a Catholic family. His upbringing significantly influenced his later exploration of themes surrounding religion, sexuality, and societal norms. After attending high school at the High School of Performing Arts in New York City, he briefly pursued formal education but ultimately chose to forge his own path as an independent artist.
Wojnarowicz’s early artistic endeavors were diverse. He lived a nomadic life for a period, working as a farmer near the Canadian border before returning to New York City. In the 1970s, he became involved in the vibrant East Village art scene, experimenting with Super-8 filmmaking – including works like *Heroin* – and photography, notably a series inspired by Arthur Rimbaud. He was also a member of the band 3 Teens Kill 4. A pivotal relationship began in the early 1980s when he met photographer Peter Hujar. Hujar encouraged Wojnarowicz to focus more on visual art, and their deep friendship became a source of mutual inspiration.
Wojnarowicz’s work is characterized by its raw emotional intensity and unflinching exploration of challenging subjects. His artistic style was multifaceted, encompassing painting, photography, writing, and film. Recurring themes in his art include:
Wojnarowicz exhibited his artwork in prominent galleries within New York City’s East Village, gaining recognition for his unique vision. He participated in the 1985 Whitney Biennial, a significant platform for contemporary art. Following Peter Hujar's death in 1987, Wojnarowicz created a deeply moving series of works documenting Hujar on his deathbed, culminating in the triptych *Untitled (Dead Peter Hujar)* (1989). His final book, *Memories That Smell Like Gasoline*, published posthumously in 1993, received the Lambda Literary Award.
David Wojnarowicz’s work remains profoundly relevant today. He is remembered as a courageous artist and activist who fearlessly confronted difficult truths about society, sexuality, and mortality. His art continues to inspire dialogue and challenge viewers to confront uncomfortable realities. He collaborated with other influential artists of his time including Nan Goldin, Luis Frangella, Kiki Smith, Richard Kern, James Romberger, Ben Neil, Bob Ostertag and Phil Zwickler. Wojnarowicz’s legacy extends beyond the art world, serving as a powerful reminder of the importance of artistic expression in the face of adversity.
1954 - 1992 , United States of America
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Glasmulighed er kun tilgængelig i størrelser under 110 cm
