1995
122.0 x 122.0 cm
Yeovil District Hospital Nhs Foundation TrustMuseum-quality giclée or canvas print with fast production and flexible finish options.
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Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (27 July)
Memory 1, Separation
Reproduction Size
Carolynne Kardia (born 1951) is a British artist renowned for her captivating landscapes infused with ethereal qualities—a style that blends abstract expressionism with meticulous observation of the natural world. Her work explores themes of transformation, memory, and the interplay between inner emotion and external beauty, establishing Kardia as a distinctive voice within contemporary art.
Kardia’s artistic journey began in Yeovil District Hospital NHS Foundation Trust where she worked as an Occupational Therapist for many years. This experience profoundly shaped her perspective on healing and resilience—concepts that permeate her paintings. She credits the hospital environment, with its quiet contemplation and connection to nature, as a significant catalyst for her creative vision.
Her artistic output includes numerous solo exhibitions across Europe and North America, garnering critical acclaim for her ability to convey profound emotional resonance within visually striking compositions. Kardia’s paintings are held in private collections worldwide and continue to inspire viewers with their evocative beauty.
Notable achievements include the creation of “Before the Beginning” (1999), a monumental canvas depicting a dramatic sunset over Dartmoor National Park, showcasing Kardia's masterful command of color and texture. Similarly, "Blue Embrace" captures the tranquil mood of Lyme Regis Bay, Dorset, demonstrating her sensitivity to subtle tonal variations and capturing the essence of coastal tranquility.
Carolyne Kardia’s contribution to contemporary art lies in her unwavering commitment to exploring the emotional landscape—translating personal reflections into visual narratives that resonate with universal themes. Her work stands as a testament to the transformative power of observation and imagination, cementing her place as an artist who captures not just what we see but what we feel.
1951 -
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