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No, this artwork is in the public domain.

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Artwork Description

The painting Flora by Henry Singleton is a beautiful example of 18th-century art. Created in 1790, this oil on panel piece measures 31 x 24 cm and is currently housed at the Lady Lever Art Gallery in the United Kingdom. The painting depicts a woman in a white dress holding a basket of fruit, walking down a street or through a field.

Artist Background

Henry Singleton was an English painter and miniaturist, born on October 19, 1766, in London. He came from an artistic family and was raised by his uncle William Singleton, who was also a painter. Singleton exhibited at the Royal Academy from 1784 to 1839, showcasing approximately 300 works, including portraits and scriptural subjects.

Painting Details

The painting Flora showcases Singleton's skill in capturing everyday life with elegance and charm. The woman in the painting is dressed in a simple yet elegant white dress, holding a basket of fruit, including apples and oranges. The background of the painting features a cloudy sky, adding an atmospheric quality to the image. You can find more information about Henry Singleton and his works on BuyPopArt.com. Key Features:

The painting measures 31 x 24 cm
Created in 1790 using oil on panel
Housed at the Lady Lever Art Gallery in the United Kingdom

You can also learn more about the Lady Lever Art Gallery and its collection on Wikipedia. For art enthusiasts, Flora is a must-see painting that showcases Henry Singleton's talent in capturing the beauty of everyday life.
The painting Flora is a significant work by Henry Singleton, and its beauty can be appreciated by art lovers around the world. With its elegant depiction of a woman holding a basket of fruit, this painting is a great example of 18th-century art. You can find more information about Henry Singleton and his works on BuyPopArt.com.

Artist Biography

The Legacy of a Master Miniature and Portraitist

Born into the vibrant artistic tapestry of London in 1766, Henry Singleton was destined for a life defined by the brush and the palette. His early years were shaped by a profound familial connection to the arts; following the untimely loss of his father when he was just an infant, Singleton was raised under the watchful eye of his uncle, William Singleton. This mentorship provided more than just familial stability; it offered a direct lineage to the prestigious traditions of English miniature painting, having been trained under the esteemed Ozias Humphry. Growing up in an environment where art was the primary language—surrounded by uncles and sisters who were all recognized exhibitors at the Royal Academy—Singleton’s development was an organic progression of inherited skill and burgeoning individual talent.

As a young man, Singleton demonstrated a precocious command over both scale and subject. His formal education at the Royal Academy Schools began in his late teens, and by 1784, he had already secured the silver medal, signaling his arrival as a formidable talent. The pinnacle of his early academic recognition came in 1788, when his ambitious painting depicting John Dryden’s Alexander’s Feast earned him the prestigious gold medal. This achievement highlighted a period in his career where he sought to transcend the delicate confines of miniature work to tackle grand, sweeping historical and scriptural compositions. His ability to weave complex narratives from the Bible, Shakespeare, and contemporary history allowed him to command attention on the large-scale canvases demanded by the era's most significant institutions.

A Career of Enduring Presence

While his early ambitions leaned toward the monumental, Singleton’s professional journey was marked by a remarkable versatility that ensured his longevity in the competitive London art scene. He became a fixture of the Royal Academy, exhibiting approximately 300 works between 1784 and 1839. There is a poignant irony in his storied career: despite being commissioned by the Royal Academy in 1793 to paint a massive group portrait of forty academicians, he never attained the formal status of a member or an associate himself. Nevertheless, his presence was so constant and his skill so respected that he eventually became the Royal Academy's oldest living exhibitor, a testament to a lifetime of unwavering dedication to his craft.

His repertoire was as diverse as it was technically proficient, spanning several distinct modes of painting:

Portraiture: A mainstay of his career, where his ability to capture character and status made him a sought-after artist for the English elite.
Miniatures: Carrying on the family tradition, these intimate works showcased his precision and delicate touch.
Historical and Scriptural Works: Large-scale compositions that utilized dramatic lighting and narrative depth to explore religious and literary themes.

Beyond the Royal Academy, Singleton’s influence extended to the British Institution and the Society of British Artists, ensuring his work reached a broad spectrum of collectors and connoisseurs. His life came to a close in London in 1839, leaving behind a body of work that serves as a vital window into the aesthetic values of the late 18th and early 19th centuries. Through his portraits and historical scenes, Singleton captured not just the faces of his contemporaries, but the very spirit of an era defined by classical grandeur and the intimate beauty of the miniature.

Henry Singleton

1766 - 1839 , United States of America

Quick Facts

Artistic Movement Or Style: Rococo
Artists Or Movements Influenced By This Artist: ['Shakespeare']
Artists Who Influenced This Artist:
- Ozias Humphry
- Joseph Singleton
Date Of Birth: 1766-10-19
Full Name: Henry Singleton
Nationality: English
Notable Artworks:
- Paul I granting Liberty to Kosciuszko
- The Death of Captain Alexander Hood after capturing the French 74 L'Hercule
Place Of Birth: London, England