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Upside Down
Reproduction Size
Miki Katagiri is a New York City native, born in 1989, whose artistic journey has been anything but conventional. For over sixteen years, she’s been designing and crafting “topical hats”—sculptural headwear that transcends mere fashion to become potent statements on environment, nature, politics, and the very human condition. Katagiri isn't simply a milliner; she is a storyteller who uses form, texture, and symbolism to articulate complex ideas, weaving narratives onto felt, wire, and found objects.
Katagiri’s artistic foundation was nurtured in the vibrant creative landscape of New York City. Her dedication led her to teaching millinery classes at Parsons, The New School for Design, sharing her passion and expertise with a new generation of artists. However, Katagiri's story takes an unexpected turn—a parallel path that reveals a remarkable breadth of experience. Since 1997, she has been deeply involved in the world of Mixed Martial Arts (MMA), becoming a pioneer within the UFC and Bellator organizations. This involvement isn’t merely observational; it’s a testament to her ability to connect with raw energy, physicality, and the narratives of human struggle and triumph—themes that resonate powerfully throughout her hat sculptures.
Katagiri's hats are far from whimsical accessories. They are meticulously constructed vessels for commentary, often addressing pressing social and environmental concerns. Her work is deeply rooted in a love for the natural world, but it doesn’t shy away from confronting the challenges facing our planet. Political undertones frequently surface, reflecting her engagement with current events and a desire to spark dialogue. But perhaps most profoundly, Katagiri's hats explore the intricacies of the human condition—our hopes, fears, vulnerabilities, and resilience. The 2014 exhibition, ‘Head to Heart,’ offered a compelling glimpse into this deeply personal artistic vision.
Katagiri’s recent work, showcased in the 2024 exhibition “Fragments of Memory ~From Future to Past~” at AG Gallery in Brooklyn, marks a significant milestone. This solo installation celebrated her thirty-five years as an artist based in New York City, featuring forty-four unique creations spanning her artistic evolution. The title itself hints at Katagiri’s core philosophy—a belief in the cyclical nature of time and the interconnectedness of all things. She speaks of “spiral shapes” surrounding us, representing both clockwise and counterclockwise movements, and the potent energy that arises when these forces converge. This concept is deeply tied to her conviction that our DNA holds a collective memory of the universe, allowing us to glimpse the future by connecting with the past.
Miki Katagiri’s significance lies not only in the beauty and craftsmanship of her hats but also in her refusal to be confined by traditional artistic boundaries. She seamlessly blends fine art with performance, education, and a unique understanding of human psychology gleaned from her involvement in MMA. Her work challenges viewers to consider the deeper meanings embedded within everyday objects—to see beyond the surface and recognize the power of art to inspire change. Katagiri’s dedication to her craft, coupled with her unwavering commitment to addressing important social issues, solidifies her position as a compelling contemporary artist whose voice continues to resonate.
1989 - , United States of America
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