Thomas Houseago: Sculptor of Raw Emotion and Monumental Form

Thomas Houseago, born in Leeds, United Kingdom in 1972, is a British contemporary sculptor whose work delves into the depths of primal instinct, mythology, and human experience with uncompromising honesty. He currently resides in Los Angeles, California, holding American citizenship—a deliberate departure from his formative years spent amidst the industrial vistas of Northern England—significantly shaping his artistic trajectory. From early explorations in drawing and sculpture, Houseago swiftly established himself as a singular voice within the global art landscape, earning recognition for his distinctive approach to monumental form and visceral expression. Houseago’s signature style revolves around colossal sculptures crafted predominantly from plaster, bronze, and aluminum – materials he manipulates with remarkable physicality to convey profound emotional resonance. Rejecting the prevailing emphasis on conceptual rigor characteristic of many artists of his generation, Houseago prioritizes a direct confrontation with feeling, channeling influences from titans like Michelangelo Buonarroti and Rudolf Steiner whose pioneering investigations into spiritual symbolism profoundly impacted his artistic vision. He strives to encapsulate the essence of being human – the relentless pursuit of survival, the inevitable reckoning with mortality, and the fundamental desire for connection – through monumental sculptures that inspire awe and contemplation. His breakthrough arrived in 2010 when he participated in the Whitney Biennial, securing his reputation as one of the most compelling sculptors active today. This exhibition showcased his ability to distill complex ideas into powerfully evocative imagery, demonstrating an unwavering dedication to confronting uncomfortable truths about human behavior and societal anxieties. Since then, Houseago has relentlessly pursued artistic innovation, experimenting with novel materials and techniques while maintaining a steadfast commitment to sculptural exploration—a testament to his enduring fascination with the transformative potential of art. Notable accomplishments include collaborations with visionary architects like Bjarke Ingels Group on ambitious public installations – projects that seamlessly fuse artistry and engineering – furthering his reputation as an artist who pushes boundaries and reimagines spaces for contemplation and engagement. Furthermore, Houseago’s work has graced prestigious galleries worldwide including Xavier Hufkens Gallery, Gagosian Gallery, and Hauser & Wirth, providing audiences globally with opportunities to experience the monumental scale and emotive power of his sculptures. Houseago's artistic philosophy draws inspiration from ancient mythologies and shamanic rituals originating across continents – notably Namibia and Mongolia – informing his creative process and grounding his work in a tradition rooted in confronting existential dilemmas. Ultimately, Thomas Houseago’s sculptures stand as enduring symbols of human vulnerability and resilience, securing his place as an indispensable figure within the history of contemporary sculpture and cementing his legacy as an artist who dares to grapple with profound questions about existence itself.

• Key Influences: Michelangelo Buonarroti, Rudolf Steiner
• Notable Exhibitions: Whitney Biennial (2010)
• Represented By: Xavier Hufkens Gallery, Gagosian Gallery, Hauser & Wirth

### Serpent Tuf-Cal, chanvre, barre de fer, Oilbar, mine de plomb, bois Collection Baron Guillaume Kervyn de Volkaersbeke © Thomas Houseago. Photo : Fredrik Nilsen Studio © ADAGP, Paris, 2019 ## Museo Thomas Henry Museo Thomas Henry en Cherbourg: colección excepcional de Millet, arte flamenco y francés, historia local y arquitectura moderna. Un viaje artístico imprescindible! ## Thomas Houseago | City of Paris Museum of Modern Art Desde... La exposición "Almost Human" del Museo d’Art moderne de la Ville de París presenta la primera retrospectiva internacional de Thomas Houseago en Francia. Nacido en Leeds (UK) en 1972, escultor y pintor, Houseago ha vivido y trabajado en Los Ángeles desde 2003 y su obra está representada en numerosas colecciones museísticas y privadas. A través del uso de materiales como madera, yeso, hierro y bronce, Houseago pertenece a una tradición escultórica encabezada por Henry Moore, Georg Baselitz y Bruce Nauman, que se centra en la figura humana en el espacio. Para el artista, los espacios monumentales donde tiene lugar la exposición son parte integral de Almost Human. El edificio mismo, los relieves de Alfred Auguste Janniot de 1937, y la Torre Eiffel contribuyen a la exposición, fijando las obras en este entorno arquitectónico. Sus esculturas suelen ser grandes en escala y muestran las marcas de su fabricación, fluctuando entre fuerza y fragilidad. La exposición sigue la evolución constante de Houseago desde los años 90 hasta el presente. Además, incluirá "Striding Figure II (Ghost)", una obra monumental hecha de bronce instalada en el parque del museo. ## Notable Achievements Colaboraciones con arquitectos como Bjarke Ingels Group en instalaciones públicas ambiciosas; Exhibiciones en galerías internacionales destacadas como Xavier Hufkens Gallery, Gagosian Gallery y Hauser & Wirth.