Surrealism
1955
44.0 x 66.0 cmMeie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. (
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Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sa võite sisestada oma mõõtmed konkreetse raami või ruumi sobivuse tagamiseks. Kui teie valitud suurus ei vasta originaalpildi proportsioonidele, siis kärvime kunstiteost või laiendame maali täiendavate käsitsi maalitud elementidega. Enne tootmise algust saadetakse teile heakskiitmiseks digitaalne eelvaade.
Palun pidage meeles, et ekraanil kuvatav eelvaade ei kajasta tegelikku kärpimist või laiendamist. Ainult eelvaade näitab täpselt lõplikku kompositsiooni.
Kuigi on saadaval kohandatud suurused, soovitame originaalproportsioonide säilimiseks valida mõõdud eelmääratletud nimekirjast.
Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (29 juuli). Kvaliteedis kompromisse ei tehta.
Deux prostituées
Reproduktsiooni suurus
Endre Rozsda (Hungarian: rozsda endre; November 18, 1913 – September 16, 1999) was a Hungarian-French painter. Born in Mohács, a small city along the Danube River in Hungary, his childhood memories profoundly impacted his entire artistic journey. He received foundational training at the school of Vilmos Aba-Novák, laying the groundwork for his future explorations.
Rozsda’s early career blossomed with a successful solo exhibition in Budapest in 1936 at the ‘Tamás’ gallery. Critics lauded his work, and the Museum of Fine Arts acquired one of his paintings. This period was closely tied to Hungarian post-impressionism. However, a transformative experience – attending a concert by Béla Bartók – signaled a shift in his artistic direction. The German occupation forced his return to Budapest in 1943, where his unique surrealistic style began to fully mature.
After World War II, Rozsda became actively involved with the establishment of the European School, participating in numerous group exhibitions. This period saw him developing his signature surrealistic approach, drawing heavily on personal memories to conjure a unique and dreamlike world.
The suppression of the Hungarian Revolution in 1956 prompted Rozsda’s permanent relocation to France. In Paris, he connected with influential figures like Raymond Queneau and André Breton, who penned an introduction for his exhibition at the ‘Furstenberg’ gallery in 1957. He participated in the International Exhibition of Surrealism in Milan (1961). A significant achievement came in 1964 when he won the Copley Prize, judged by a distinguished panel including Hans Arp, Max Ernst, and Marcel Duchamp.
Rozsda’s work underwent further evolution from the 1960s onwards. He explored the interplay of architectonic structures and swirling colors, creating richly detailed microcosms. His artistic endeavor was driven by a desire “to control time” and dissolve reality through imagination, consistently relying on surrealist principles while embracing lyrical abstraction as his means of expression.
Rozsda’s contributions to the art world are marked by his unique ability to blend personal experience with surrealist techniques. His work stands as a testament to the power of memory and imagination. He left behind a significant body of paintings that continue to captivate audiences with their dreamlike quality and intricate detail.
Endre Rozsda’s artistic journey reflects the turbulent political landscape of 20th-century Europe. His exile from Hungary and embrace by the Parisian art scene highlight the role of art as a refuge and a means of expressing cultural identity. He remains an important figure in the history of Surrealism and lyrical abstraction, inspiring artists with his innovative approach to form and content.
1913 - 1999 , Hungary
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Klaasivalik on saadaval ainult suuruses kuni 110 cm
