Is Sequence of Dihedrals under copyright?

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Kupite otisak Sekvenca Dijedral

Osnovne informacije

Influences:
- Bruce Nauman
- Andrei Tarkovsky
Medium: Pneumatic mechanism & Aluminum panels
Subject or theme: Architectural intervention; Spatial exploration
Location: Guggenheim Museum Bilbao
Artistic style: Minimalist
Artist: Sergio Prego
Movement: Installation Art

Opis djela

Sekvenca Dijedra – Umjetnička Izjava

Sergio Prego je špansko umjetničko ime koje se oslanja na bogatu kulturu Baskije kraja 90-ih godina. Sveučilištem Basque Countryom i kasnijim studijama umjetničke akademije u New Yorku pridonio je multidisciplinarni pristup koji će biti ključan za njegov jedinstveni umjetnički pogled. Pregojev opus prelazi tradicionalne skulpturne konvencije, fokusirajući se na istraživanje prostorskih odnosa i prihvaćanje transformativnog potencijala privremenih materijala – uglavnom PVC cijevi i aluminijumskih ploča – kako bi kreirao instalacije koje izazivaju percepciju oblika i pokreta. Ove instalacije nisu samo arhitektonske djela umjetnosti već filozofski ispit ograničenja materijala i vremenske perspektive.

Povijesni Kontekst: Djelo je nastalo u kontekstu razvoja suvremene arhitekture, posebice Guggenheimova muzeja Bilbao koji je bio poznat svojim inovativnim dizajnom i korištenjem novih tehnologija. Instalacija je odgovor na izazov kako predstaviti prostor kao dinamičan objekt koji mijenja svoj izgled tijekom vremena.
Materijal i Tehniku: Sergio Prego koristi PVC cijevi i aluminijumsku plastiku kako bi kreirao fleksibilne strukture koje se mogu prilagoditi različitim prostorijama. Ovo odabir materijala nije slučajno; cilj je postići maksimalnu estetiku uz minimalnu težinu i održavanje.
Oblik i Prostor: Djelo koristi geometrijske oblike – paralelogram i pravokutnik – kako bi definiralo prostor i stvaralo vizualne zanimljivosti. Pokretanje cijevi omogućuje stvaranje dinamičnih oblika koji igraju s svjetlom i perspektivom, što dodatno poboljšava iskustvo gledatelja.
Simbolizam: Dijedri simbolički predstavljaju različite kutove gledanja i percepcije prostora. Pokretanje cijevi može biti interpretirano kao odaživanje na promjene u vremenu i prostoru, što izaziva pitanja o vremenskoj perspektivi i filozofskoj refleksiji.
Stil: Djelo pripada estetici minimalističke arhitekture koja naglašava funkcionalnost i čist izgled. Međutim, Pregojev pristup umjetnosti nije samo praktičan već i emocionalno bogat – cilj je izazvati gledatelja kako bi ga podsjetio na važnost prostora kao središta iskustva.

Dodatna Informacija: Instalaciju "Sekvenca Dijedra" možete pronaći u Guggenheimovu muzeju Bilbao gdje ona predstavlja jedan od fascinantnih primjerak suvremene umjetnosti koja ispituje granice prostora i materijala. Reprodukcija ovog djela može biti izvrsna prilika za dodavanje sofisticiranosti prostoru vašeg doma ili uređenja poslovnog objekta. Zamislite kako svjetlo igra se površinama PVC cijevi i aluminijumskih ploča – rezultat će biti prostor koji je istinski živ i dinamičan.

Biografija umjetnika

Sergio Prego: Sculpting Space and Embracing Impermanence

Sergio Prego is a Spanish artist born in Donostia/San Sebastián in 1969, deeply rooted in the Basque artistic landscape of the late 1990s. His formative years at the University of the Basque Country and subsequent studies at the School of Visual Arts in New York instilled in him a multidisciplinary approach that would become central to his distinctive artistic vision. Prego’s work transcends traditional sculptural conventions, prioritizing exploration of spatial relationships and embracing the transformative potential of ephemeral materials—primarily polyethylene tubes and aluminum—to create installations that challenge perceptions of form and movement.

Early Influences: Prego's artistic trajectory was significantly shaped by figures like Bruce Nauman and Andrei Tarkovsky, whose explorations of corporeality and cinematic storytelling resonated deeply with his conceptual framework. He drew inspiration from the radical architecture collectives of the 1960s—Ant Farm and Archigram—who envisioned new ideas of space and corporeality as a reaction to prevailing societal norms.
Material Exploration: Prego’s fascination with pneumatic structures – inflatable membranes stabilized by compressed air – represents a pivotal element in his artistic practice. These constructions, often referred to as “poems in space,” are characterized by their delicate balance between rigidity and flexibility, mirroring the artist's preoccupation with capturing fleeting moments of transformation.
Notable Exhibitions: Prego’s career has been marked by numerous prestigious exhibitions internationally, including the Guggenheim Museum Bilbao (2006), Museo Nacional Centro de Arte Reina Sofía (Madrid), Museo Contemporáneo Barcelona – MACBA (Barcelona), and Venice Biennale (2019). His collaborative project with Itziar Okariz at the Biennale garnered critical acclaim for its conceptual boldness and innovative use of materials.

Sculptural Methodology: Pneumatic Architecture and Kinetic Forms

Prego’s sculptural process is defined by a meticulous attention to detail and an unwavering commitment to experimentation. He employs tetrahedrons—triangular pyramids—arranged around a central axis as fundamental building blocks for his installations, creating modular structures that defy static categorization. These sculptures utilize polyethylene tubes and aluminum elements to generate movement and tension within the confines of space, mirroring Prego’s belief that sculpture should actively engage with its environment. As he articulates, “I have always been interested in inventing new modalities of apprehending the space or, even more, in inventing new spatial relations.”

Technique: The artist meticulously folds polyethylene sheets into tubes and secures them with aluminum supports, resulting in structures that appear to breathe—expanding and contracting subtly under pressure.
Conceptual Framework: Prego’s approach aligns with the broader artistic movement of the 1960s, which championed performance art and experiential engagement as means of questioning established conventions and exploring alternative perspectives on reality.

Recognition and Legacy: Venice Biennale Collaboration

Sergio Prego achieved international recognition through his participation in the Spanish Pavilion at the Venice Biennale (2019), alongside Itziar Okariz, where they presented *Get Out of the Way*, an inflatable sculpture referencing the pioneering work of architects like Buckminster Fuller and Frei Otto. This project underscored Prego’s enduring fascination with pneumatic structures—a technique rooted in the utopian visions of the late 1960s—and solidified his position as a visionary artist who pushes the boundaries of sculptural practice. His contribution to the Biennale was lauded for its conceptual depth and innovative exploration of spatial dynamics, cementing his legacy as a pivotal figure in contemporary art.

sergio prego

1969 - , Spain

Osnovne informacije

Artistic Movement Or Style: Sculpture & Installations
Artists Or Movements Influenced By This Artist:
- Juan Luis Moraza
- Ángel Bados
- Txomin Badiola
Artists Who Influenced This Artist:
- Bruce Nauman
- J.G. Ballard
- Ant Farm
- Trisha Brown
Date Of Birth: 1969
Full Name: Sergio Prego
Nationality: Spanish
Notable Artworks:
- Sequence of Dihedrals
- Rose-colored Drift/To the Students
Place Of Birth: San Sebastián, Spain

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