Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. (
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Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Možete unijeti vlastite dimenzije kako bi odgovarale određenom okviru ili prostoru. Ako odabrana veličina ne odgovara proporcijama izvorne slike, izrezat ćemo umjetničko djelo ili proširiti sliku dodatnim ručno oslikanim elementima. Digitalni nacrt bit će vam poslan na odobrenje prije početka proizvodnje.
Imajte na umu da pregled na ekranu ne prikazuje stvarno izrezivanje ili proširivanje. Samo će nacrt točno prikazati konačni sastav.
Iako su dostupne prilagođene veličine, preporučujemo odabir dimenzije s preddefiniranog popisa kako bismo očuvali izvorne proporcije.
Isporuka širom svijeta () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (30 Srpanj). Bez kompromisa u kvaliteti.
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Weixin Quek Chong, a Singaporean visual artist born in 1988, is rapidly establishing herself as a compelling voice in contemporary art. Her work isn’t easily categorized; it exists in the liminal spaces between disciplines, seamlessly blending image, object, audiovisual elements, and even performance to create experiences that challenge perception and tantalize the senses. Chong doesn't simply present artwork—she constructs environments for contemplation, inviting viewers into a dialogue with memory, technology, and the often-subtle beauty of the natural world.
Born and raised in Singapore, Quek Chong’s artistic journey took her beyond the familiar landscapes of her homeland. She pursued studies in both Singapore and Madrid, a geographical shift that proved pivotal in shaping her aesthetic sensibility. Madrid, with its rich history and vibrant cultural scene, exposed her to diverse artistic traditions and encouraged an exploration of form and materiality. This period was crucial in developing her fascination with stylization—a deliberate manipulation of natural elements to evoke specific emotional responses. It wasn’t merely about representation but about distilling essence, capturing a feeling rather than replicating reality.
At the heart of Quek Chong's practice lies an intriguing interplay between the digital and the organic. She investigates how memory is encoded—not just in human consciousness, but within systems both natural and technological. Her work often features abstracted forms reminiscent of botanical structures or fragmented digital landscapes, suggesting a parallel between the growth patterns of plants and the complex networks of data. This isn’t presented as a dichotomy, however; rather, it's an exploration of their interconnectedness. She masterfully employs audiovisual elements to further immerse the viewer in this sensory experience, creating works that are both visually striking and intellectually stimulating.
Quek Chong’s talent has been widely recognized within the art world. A defining moment came in 2018 when she was awarded the Grand Prize at the President's Young Talents Awards for her artwork, ‘sft crsh ctrl’. This piece, a complex and layered exploration of digital space and emotional vulnerability, immediately established her as an artist to watch. The work garnered attention not only for its technical sophistication but also for its poignant commentary on the human condition in the age of technology. Since then, she has continued to exhibit internationally, solidifying her reputation as a significant contemporary voice.
Weixin Quek Chong’s work occupies an important space within the broader context of new media art. She builds upon the legacy of artists who have explored the relationship between technology and perception, but she does so with a uniquely Singaporean perspective. Her sensitivity to cultural nuances and her ability to blend seemingly disparate elements—the natural world, digital abstraction, and emotional resonance—sets her apart. As she continues to develop her practice, it’s clear that Quek Chong will play an increasingly important role in shaping the future of contemporary visual art, prompting us to reconsider our relationship with memory, technology, and the very nature of reality itself.
1988 - , Singapore
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Opcija stakla dostupna je samo za dimenzije manje od 110 cm
