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Calla

  • Data di creazione1932
  • Dimensioni38.0 x 29.0 cm

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Descrizione del Collezionabile

This work has winned the prize in the 11th Chosun Art Exhibition. In-Sung Lee has displayed this painting while he was learning art in Japan. He has made a conspicuous figure in the art world when Korea was under the reign of Japan. From 1932, he has winned 6 continuous special prizes in the Chosun Art Exhibition. He became an invited artist of the Chosun Art Exhibition in 1937 but passed away during Korean war in 1950. This early period work was painted while his peculiar expressive style was forming. It is a work of watercolors but it has the opaque and turbid aspects of oil painting. It belonged to the Korean royal family but it was given to a minister and one of his descendants had kept it until recently. The national museum of contemporary art in Korea found this painting in 1988. The title is a Japanese name for calla lily. The white calla lily is flower that has the meaning of restoration so this painting can be interpreted as a desire for the liberation of his country. The vertical setting of the flower and vase and the horizontal short brush strokes are very harmonic and create a stable composition.

Biografia dell'artista

Lee In-sung: Korea’s Bold Visionary – Echoes of Gauguin in the Korean Landscape

Lee In-sung (1912-1950) stands as a singular figure in Korean modern art, an artist whose distinctive style—characterized by audacious color palettes and immersive depictions of the Korean countryside—earned him the moniker “Korea’s Gauguin.” Born in Daegu, South Korea, his artistic journey unfolded against the backdrop of a nation grappling with rapid modernization while striving to preserve its cultural heritage. From humble beginnings as a child immersed in an artistic family, Lee In-sung cultivated a passion for painting that would propel him toward remarkable achievements despite tragically premature demise. Early Life and Artistic Formation Lee In-sung’s formative years were steeped in artistic tradition. His parents, both artists themselves, instilled within him a deep appreciation for visual expression and encouraged his exploration of creative pursuits. Recognizing his innate talent, he pursued formal studies at Seoul Art School, where he honed his technical skills and meticulously developed his unique aesthetic sensibilities—a style profoundly shaped by the burgeoning European avant-garde movements. Notably influenced by Paul Gauguin’s expressive use of color and simplified forms, Lee Insung sought to translate these stylistic principles into a distinctly Korean idiom. This fascination with Gauguin wasn't merely superficial; it represented a conscious effort to engage with the artistic innovations reshaping Europe at the time—a desire to contribute to Korea’s own cultural evolution. Artistic Style and Technique: A Symphony of Color Lee In-sung's artistic vision centered on capturing the essence of Korea’s natural beauty—primarily landscapes and still lifes—with unparalleled vibrancy. He eschewed academic conventions, favoring instead bold brushstrokes and saturated hues that conveyed emotion rather than mere representation. His technique involved layering colors to create depth and luminosity, mirroring the atmospheric qualities of Korean autumn days – a motif he revisited repeatedly throughout his oeuvre. The painting “On an Autumn Day,” arguably his magnum opus, exemplifies this stylistic approach perfectly; it’s a masterful blend of Gauguin's chromatic fervor and Korean artistic sensibilities. Critics noted that Lee Insung skillfully blended traditional Korean motifs with modern artistic techniques, resulting in artworks that resonated deeply with viewers. He achieved this remarkable feat by utilizing glazing techniques—applying thin layers of translucent paint over previous coats—to build up color intensity and achieve luminous effects reminiscent of Gauguin’s masterful use of light. Influences and Legacy: Bridging Tradition and Modernity Lee In-sung’s artistic trajectory wasn't solely defined by Western influences; he remained firmly rooted in Korean cultural traditions. However, his engagement with European art—particularly Gauguin—provided him with a crucial conceptual framework for expressing his worldview. This fusion of styles speaks to the broader intellectual currents shaping Korea during its modernization process – a desire to embrace progress while safeguarding national identity. His pioneering spirit continues to inspire contemporary Korean artists who strive to innovate within established artistic conventions, cementing Lee In-sung’s place as a pivotal figure in Korean art history. He championed a bold aesthetic that challenged prevailing artistic norms and solidified his position as a visionary artist dedicated to exploring the intersection of Eastern and Western artistic traditions. Major Achievements and Recognition Despite his tragically short life—ending abruptly in 1950—Lee In-sung achieved considerable acclaim during his lifetime. His paintings were exhibited extensively throughout Korea and garnered critical praise for their originality and emotional impact. He established himself as a leading voice within the Korean avant-garde, demonstrating an unwavering commitment to artistic experimentation and pushing boundaries of conventional representation. Though overshadowed by historical events, Lee In-sung’s legacy persists in the ongoing dialogue between Korean art and global artistic trends—a testament to his enduring vision and contribution to the artistic landscape of Korea.
Lee In-sung

Lee In-sung

1912 - 1950 , Corea del Sud

Informazioni rapide

  • Artistic Movement Or Style: Paul Gauguin influence
  • Artists Or Movements Influenced By This Artist: ['Contemporary Korean artists']
  • Artists Who Influenced This Artist: ['Paul Gauguin']
  • Date Of Birth: 1912
  • Full Name: Lee In-sung
  • Nationality: Korean
  • Notable Artworks: ['On an Autumn Day']
  • Place Of Birth: Daegu, South Korea