Surrealism
1955
44.0 x 66.0 cm빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
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작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Deux prostituées
복제본 크기
Endre Rozsda (Hungarian: rozsda endre; November 18, 1913 – September 16, 1999) was a Hungarian-French painter. Born in Mohács, a small city along the Danube River in Hungary, his childhood memories profoundly impacted his entire artistic journey. He received foundational training at the school of Vilmos Aba-Novák, laying the groundwork for his future explorations.
Rozsda’s early career blossomed with a successful solo exhibition in Budapest in 1936 at the ‘Tamás’ gallery. Critics lauded his work, and the Museum of Fine Arts acquired one of his paintings. This period was closely tied to Hungarian post-impressionism. However, a transformative experience – attending a concert by Béla Bartók – signaled a shift in his artistic direction. The German occupation forced his return to Budapest in 1943, where his unique surrealistic style began to fully mature.
After World War II, Rozsda became actively involved with the establishment of the European School, participating in numerous group exhibitions. This period saw him developing his signature surrealistic approach, drawing heavily on personal memories to conjure a unique and dreamlike world.
The suppression of the Hungarian Revolution in 1956 prompted Rozsda’s permanent relocation to France. In Paris, he connected with influential figures like Raymond Queneau and André Breton, who penned an introduction for his exhibition at the ‘Furstenberg’ gallery in 1957. He participated in the International Exhibition of Surrealism in Milan (1961). A significant achievement came in 1964 when he won the Copley Prize, judged by a distinguished panel including Hans Arp, Max Ernst, and Marcel Duchamp.
Rozsda’s work underwent further evolution from the 1960s onwards. He explored the interplay of architectonic structures and swirling colors, creating richly detailed microcosms. His artistic endeavor was driven by a desire “to control time” and dissolve reality through imagination, consistently relying on surrealist principles while embracing lyrical abstraction as his means of expression.
Rozsda’s contributions to the art world are marked by his unique ability to blend personal experience with surrealist techniques. His work stands as a testament to the power of memory and imagination. He left behind a significant body of paintings that continue to captivate audiences with their dreamlike quality and intricate detail.
Endre Rozsda’s artistic journey reflects the turbulent political landscape of 20th-century Europe. His exile from Hungary and embrace by the Parisian art scene highlight the role of art as a refuge and a means of expressing cultural identity. He remains an important figure in the history of Surrealism and lyrical abstraction, inspiring artists with his innovative approach to form and content.
1913 - 1999 , Hungary
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