Preview
Pirkti atspaudą Pirkti skaitmeninį paveikslą
Pasidalinti
Išsamiau
Pridėti į mėgstamiausius
Atsisiųsti
Panašūs eksponatai
Rentgeno nuotrauka
Automatinė diorama
1962
69.0 x 29.0 cmRankiniu būdu tapytas aliejus ant droblio jūsų pageidaujamame dydį ir rėmuose – mūsų menininkų darbas pagal užsakymą.
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Galite įvesti savo matmenis, kad jie atitiktų konkretų rėmą ar erdvę. Jei pasirinktas dydis neatitinka originalaus paveikslėlio proporcijų, mes arba apkropsime meno kūrinį, arba papildysime tapybą rankomis dažytい elementais. Prieš pradėdami gamybą, jūsų patvirtinimui atsiųsime skaitmeninį maketą.
Atkreipkite dėmesį, kad ekrane rodomas vaizdas neatspindi tikrojo apkarpymo ar papildymo. Tik maketas tiksliai parodys galutinę kompoziciją.
Nors galima rinktis ir individualius dydžius, rekomenduojame pasirinkti matmenis iš nustatytos sąrašo, kad būtų išlaikytos originalios proporcijos.
Pristatymas visame pasaulyje () per 3–4 savaites, o ne įprastai – per 5 savaites. (26 liepa). Kokybė lieka nepakeičiama.
Turkey
Reprodukcijos matmenys
Jacques Hnizdovsky (born 1915 in Pylypche, Ukraine – died 1985) was a Ukrainian-American graphic artist and designer. He descended from a Polish-Ukrainian noble family belonging to the Korab coat of arms community. His early education took place at the gymnasium in Chortkiv. In 1933, he began studies at the Lviv Greek Catholic Theological Seminary, but soon demonstrated significant artistic talent.
With the support of Archbishop Andrey Sheptytsky of the Ukrainian Greek Catholic Church, Hnizdovsky commenced studies in painting at the Academy of Fine Arts in Warsaw in 1938. The outbreak of World War II interrupted his education, leading him to continue his studies at the Art Academy in Zagreb.
In 1944, Hnizdovsky found himself in a displaced persons camp near Munich, where he remained until 1949. It was during this period that he created his first woodcuts. He also served as editor of the Ukrainian monthly publication, “Arka”. This experience fostered his artistic voice and provided an outlet for cultural expression amidst displacement.
In 1949, Hnizdovsky immigrated to Saint Paul, Minnesota, where he initially worked as a designer for Brown & Bigelow. He later moved to New York City in 1950, establishing himself as an artist. His woodcuts from this period were notably influenced by Japanese art and often printed on Japanese rice paper.
His subjects frequently featured animals and plants observed at the Bronx Zoo, demonstrating a keen eye for detail and a fascination with the natural world. From 1956 to 1958, he resided in Paris, exhibiting his oil paintings, graphic works, and small sculptures across three exhibitions.
Jacques Hnizdovsky was a prolific artist who worked across various media. He created numerous book illustrations, *ex libris* (bookplates), wooden reliefs, ceramics, and small sculptures. His work is characterized by stylized realism and meticulous craftsmanship.
Hnizdovsky was actively involved in Ukrainian communities within the United States, maintaining strong ties to his heritage. He passed away in New York City in 1985 and was reinterred at the Lychakiv Cemetery in Lviv on November 5, 2005.
Hnizdovsky’s work represents a unique blend of European tradition, Japanese aesthetics, and American experience. He is remembered for his dedication to craftsmanship, his evocative depictions of nature, and his contributions to Ukrainian-American art.
1915 - 1985 , Ukraine
Sekite naujausias meno naujienas, išskirtinius pasiūlymus ir dekoravimo idėjas.
Pasakokite mums apie savo projektą, o mūsų meno ekspertai parengs jums 3 asmeniškus meno pasiūlymus.
Leiskite mums parinkti 3 variantus būtent jums – nemokamai!
Dalintis
Skaityti daugiau
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
