Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (27 juli)
Rapier
Afmetingen reproductie
Antonio Ruiz, affectionately known as ‘El Corcito’ (meaning 'the little corzo' – a type of bird), was a significant Mexican painter and scenic designer. Born in Texcoco in 1892, his artistic journey spanned decades, marked by diverse influences, teaching roles, and collaborations with prominent figures of the Mexican art scene.
Ruiz’s upbringing was steeped in artistic appreciation; his father a physician and his mother a concert pianist, while his grandfather was also a painter. This environment fostered an early interest in art. Following the loss of his parents, education became crucial for Ruiz's support. He formally studied at the Academy of San Carlos and later at the Escuela Nacional de Pintura, Escultura y Grabado 'La Esmeralda'. Key influences during this period included professors Saturnino Herrán and Germán Gedovius, whom he greatly admired. Later in his career, Ruiz drew inspiration from Flemish artists and Miguel Covarrubias.
Ruiz’s career was a blend of artistic creation and dedicated teaching. From 1921 to 1924, he taught drawing in primary schools in Mexico City, demonstrating his commitment to education from an early age. He also held positions at the School of Engineering and Architecture in Mexico City. A pivotal moment arrived in 1942 when he joined Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda," eventually becoming its director. He collaborated on the publication 'Mexican Cultural Weekly,' further showcasing his engagement with cultural discourse.
Ruiz’s work gained international recognition through exhibitions in cities like Tokyo, Kurashiki (during a Mexican art exhibition in 1995), and Phoenix, Arizona (in 1967). His notable works include 'The Orator' and 'The Dream of Malinche,' which were exhibited at the Galería de Arte Mexicano in Mexico City and lauded as "stylistic examples of magical realism." He also had exhibits in Mexico City, Toronto, Quebec, Buenos Aires, and Seville.
Ruiz’s artistic style is often described as 'magical realism,' a genre characterized by the seamless blending of realistic depictions with fantastical elements. This approach is evident in his works, which frequently incorporate symbolic imagery and dreamlike narratives. His influence extended to other prominent Mexican artists, including Frida Kahlo, Juan O'Gorman, and Miguel Covarrubias, demonstrating his role as a mentor and inspiration within the artistic community.
Ruiz’s legacy is preserved through works held in institutions such as the Museum of Finance and Public Credit (in its heritage collection), the Colección Andrés Blaisten (Mexico), and the Museo Nacional de San Carlos in Mexico City. His contributions to Mexican art and design continue to be recognized and celebrated.
1892 - 1964 , Mexico
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