Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
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Arthur Quartley (1839-1886) was an American painter celebrated for his evocative seascapes. His work captures the beauty and power of the marine environment, particularly along the coasts of Chesapeake Bay, Long Island, and New England.
Born in Paris, France, in 1839, Quartley spent his early childhood immersed in European culture before his family relocated to Baltimore, Maryland, when he was twelve years old. His artistic journey began under the tutelage of his father, Frederick William Quartley, an English engraver. His father instilled a rigorous work ethic, reportedly demanding two drawings per week from young Arthur.
At age seventeen, Quartley apprenticed as a sign painter in Baltimore, gaining practical skills that would later inform his artistic endeavors. However, his passion lay with painting, and he increasingly focused on capturing the marine landscapes of Chesapeake Bay.
Scholar Elizabeth Johns noted that Quartley’s paintings demonstrate a clear familiarity with the compositional techniques and treatment of light and color characteristic of Dutch marine masters.
In 1875, seeking greater opportunities and artistic stimulation, Quartley moved to New York City. This move coincided with a shift in the American art scene, as the influence of the Hudson River School began to wane and new artistic groups emerged.
From New York, Quartley painted seascapes across various coastal regions:
Quartley became a founding member of The Tilers, a unique group comprised of artists and writers, including luminaries such as Winslow Homer, William Merritt Chase, and Augustus Saint-Gaudens. They met regularly to exchange ideas, decorate ceramic tiles – promoting their work through this innovative medium – and embark on painting excursions.
A notable excursion in 1878 took Quartley and ten other artists to Eastern Long Island, where he created both seascape paintings and a blue-painted tile depicting an introspective girl at the beach. Journalist and philanthropist John W. McCoy actively supported the careers of Quartley and sculptor William H. Rinehart.
Some of Quartley’s most noteworthy canvases include:
Arthur Quartley’s work offers a captivating glimpse into 19th-century American marine painting. His ability to capture the subtle nuances of light and atmosphere, combined with his technical skill, continues to resonate with art enthusiasts today.
1839 - 1886 , France
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