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Håndmalt olje på lerret i din valgte størrelse og ramme, laget på bestilling av våre kunstnere.
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Du kan angi egne mål for å tilpasse en spesifikk ramme eller plass. Dersom den valgte størrelsen ikke samsvarer med originalbildets proporsjoner, vil vi enten beskjære kunstverket eller utvide maleriet med ytterligere håndmalte elementer. En digital mockup vil bli sendt til din godkjenning før produksjonen starter.
Vennligst merk at forhåndsvisningen på skjermen ikke gjenspeiler den faktiske beskjæringen eller utvidelsen. Kun mockuppen vil vise den endelige komposisjonen nøyaktig.
Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (27 July). Ingen kompromisser med kvaliteten.
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Størrelse på reproduksjon
Patrocinio Barela (1900–1964) stands as a singular figure in twentieth-century Hispanic New Mexican art, recognized by scholars and artists alike as the inaugural Mexican-American artist to achieve widespread acclaim. Born around 1900—precise birthdates remain elusive—Barela’s formative years unfolded amidst hardship and itinerant labor, shaping his artistic vision profoundly.
His early life was marked by profound loss; both his mother and younger sister succumbed to illness before he reached adolescence. Largely self-educated, Barela pursued formal schooling for mere weeks, demonstrating an innate aversion to structured learning. He embarked on a nomadic existence as a steelworker, miner, railroad laborer, farmhand, and unionized carpenter—experiences that instilled in him a deep understanding of the human condition.
In 1930, he married Maria Sanchez, establishing a family rooted in Taos County, New Mexico. With seven children, Barela’s domestic life mirrored the turbulent currents of his broader world. Legend recounts that a priest encouraged him to repair a damaged wooden santo—a figure of St. Anthony—sparking his lifelong passion for wood carving.
His artistic journey commenced in 1931, propelled by an instinctive affinity for juniper and cedar. Barela’s distinctive style diverged markedly from the traditional santero practice of replicating centuries-old polychrome prototypes; instead, he crafted sculptures imbued with expressive primitivism, surrealism, and a palpable emotional resonance.
The Works Progress Administration (WPA) played an instrumental role in nurturing Barela's talent. Assigned to a horse-drawn cart, he participated in the Public Works of Art Project (PWAP), gaining recognition from critics nationwide—particularly Henry Moore, who likened his sculptures to those originating in Africa and Oceania.
Time magazine hailed Barela as “the discovery of the year,” cementing his place in art history. Two subsequent exhibitions showcased his work at the San Francisco Golden Gate Exposition and the American Art Today show at New York’s World’s Fair, further establishing him as a national sensation. His unwavering dedication to carving—despite facing considerable personal challenges—inspired generations of Hispanic New Mexican artists.
Barela's legacy extends beyond his artistic output; he fostered a family of artists who continue the tradition of crafting sacred objects from juniper and cedar. Today, his sculptures are treasured collector’s items, embodying a singular aesthetic that continues to captivate audiences worldwide.
1900 - 1964
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Glassalternativet er kun tilgjengelig i størrelser under 110 cm
