1950
114.0 x 104.0 cmRęcznie malowany olej na płótnie w Twoim wymiarze i ramie, tworzony na zamówienie przez naszych artystów. ( Przejdź do wydruku
Przełącz na obraz)
Wybierz spośród naszych predefiniowanych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.
Możesz wprowadzić własne wymiary, aby dopasować obraz do konkretnej ramy lub przestrzeni. Jeśli wybrany rozmiar nie będzie odpowiadał proporcjom oryginału, przytniecie dzieło sztuki lub rozszerzymy je o dodatkowe elementy, ręcznie domalowane przez artystę. Przed rozpoczęciem produkcji wyślemy projekt cyfrowy do Twojej akceptacji.
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Choć oferujemy możliwość zamówienia niestandardowych rozmiarów, zalecamy wybór wymiaru z gotowej listy, aby zachować oryginalne proporcje dzieła.
Dostawa na całym świecie () w ciągu 3/4 tygodni zamiast standardowych 5 tygodni. (31 Lipiec). Bez kompromisów w kwestii jakości.
Cornfields, September
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Joan Kathleen Harding Eardley, born May 18, 1921, in Sussex to Irene Helen Morrison and William Edwin Eardley—a man scarred by shell shock from World War I—established herself as one of Scotland’s most celebrated artists. Her formative years were marked by instability stemming from her father's mental health struggles, fostering within her a profound empathy for marginalized communities.
Eardley’s upbringing instilled in her a deep appreciation for human experience and shaped her artistic sensibilities. Following her father’s breakdown and subsequent sale of the family farm, she pursued education at St Helen's School in Blackheath, London, where her talent for art was first recognized. This early exposure to creative pursuits would prove pivotal in nurturing her lifelong passion.
A scholarship enabled Eardley’s journey to Italy and France in 1948, immersing her in the grandeur of the Renaissance—particularly Giotto and Masaccio. These encounters profoundly impacted her understanding of sculptural form and humanist ideals, informing her approach to portraying figures throughout her career. Her artistic style blended realism with expressive brushwork, mirroring the spirit of the Scottish Colourists.
Moving to Glasgow in 1939 solidified Eardley’s connection to urban life and its complexities. She enrolled at the Glasgow School of Art under Hugh Adam Crawford, absorbing the legacy of the Scottish Colourists and honing her skills. Notably, she focused on documenting the lives of children inhabiting poverty-stricken tenements in Townhead, capturing their resilience with unflinching honesty—a stylistic hallmark that resonated deeply with contemporaries like John Bratby and Peter Blake.
In 1951 Eardley discovered Catterline, a fishing village on Scotland’s northeast coast, transforming her artistic focus towards landscapes. Inspired by artists such as Chaim Soutine and Wassily Kandinsky, she embraced bold techniques—impasto and incorporating natural materials—to convey the emotional essence of her surroundings. Her later works leaned toward abstraction while retaining an unwavering commitment to observation, mirroring Monet's dedication to capturing fleeting moments in nature.
Tragically, Eardley’s artistic career ended prematurely in 1963 due to breast cancer at the age of forty-two. Despite her brief life, she left behind a substantial body of work—particularly her portraits of Glasgow street children—that continues to inspire artists and scholars alike. Her unwavering compassion for vulnerable individuals and her masterful depiction of everyday realities cemented her place in art history as a visionary artist whose voice persists through time.
1921 - 1963 , Anglia
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