x
Ink
Shanshui
1644
Modern
167.0 x 83.0 cm
National Palace MuseumImpressão giclée ou em tela de qualidade de museu, com produção rápida e opções flexíveis de acabamento.
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Você pode inserir suas próprias dimensões para se ajustar a uma moldura ou espaço específico. Se o tamanho selecionado não corresponder às proporções da imagem original, iremos recortar a obra de arte ou estender a imagem com uma borda espelhada ou preenchimento sólido. Um mockup digital será enviado para sua aprovação antes do início da produção.
Por favor, observe que a visualização na tela não reflete o recorte ou a extensão real. Apenas o mockup mostrará com precisão a composição final.
Embora tamanhos personalizados estejam disponíveis, recomendamos selecionar uma dimensão da lista predefinida para preservar as proporções originais.
Entrega mundial () em 2 semanas, em vez das 4/5 semanas padrão. (22 Julho)
Returning Late from a Spring Outing
Dimensões da Reprodução
Dai Jin’s “Returning Late from a Spring Outing,” painted in 1644, offers a profound glimpse into the heart of Chinese literati aesthetics – a world where landscape painting transcended mere representation to become a vehicle for spiritual contemplation. This exquisite silk hand-painting, measuring 167 x 83 cm, captures a quintessential Shanshui scene, a hallmark of the Song Dynasty’s influence on Chinese art, and embodies the spirit of the Ma-Xia style, also known as the Zhe School, which flourished during Dai Jin's lifetime. The artwork isn't simply a depiction of mountains and water; it is an invitation to experience tranquility, harmony, and a deep connection with the natural world – core tenets of Confucian philosophy.
Painted in 1644, during Dai Jin’s career, this artwork reflects the artistic currents of the early Ming dynasty. Dai Jin was a pivotal figure in reviving the Ma-Xia style, which prioritized capturing the essence of nature over strict adherence to traditional representation. The pavilions depicted within the scene symbolize human dwellings nestled within the vastness of the landscape – a reminder of humanity’s place within the natural order. The mountains themselves represent strength, permanence, and spiritual aspiration, echoing Confucian ideals of virtue and longevity. Dai Jin's work was often influenced by political considerations, as evidenced by his early career attempts to gain favor with the emperor, though he ultimately developed a distinctive style that prioritized artistic integrity.
“Returning Late from a Spring Outing” possesses an enduring emotional resonance. The diffused lighting and serene composition evoke a sense of quiet contemplation, inviting the viewer to escape the pressures of daily life and find solace in the beauty of nature. This painting is more than just a visual representation; it’s a portal to a timeless landscape, reflecting the profound connection between humanity and the natural world – a connection that continues to inspire awe and wonder centuries later. This hand-painted reproduction captures not only Dai Jin's artistic skill but also the very spirit of this iconic work.
1388 - 1462 , China
Conte-nos sobre o seu projeto e os nossos especialistas em arte fornecerão 3 sugestões de arte personalizadas.
Deixe-nos selecionar 3 opções especialmente para você – Grátis!