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Pictură în ulei pe pânză, pictată manual, la dimensiunea și ramele dorite de dumneavoastră, realizată la comandă de artiștii noștri.
Alegeți dintre dimensiunile noastre prestabilite, care respectă proporțiile originale ale operei de artă.
Puteți introduce propriile dimensiuni pentru a se potrivi unui anumit cadru sau spațiu. Dacă dimensiunea selectată nu corespunde proporțiilor imaginii originale, vom decupa opera de artă sau vom extinde pictura cu elemente suplimentare pictate manual. O simulare digitală vă va fi trimisă pentru aprobare înainte de începerea producției.
Vă rugăm să rețineți că previzualizarea de pe ecran nu reflectă decuparea sau extinderea reală. Doar macheta va arăta cu exactitate compoziția finală.
Deși sunt disponibile dimensiuni personalizate, vă recomandăm să selectați o dimensiune din lista predefinită pentru a păstra proporțiile originale.
Livrare în întreaga lume () în 3/4 săptămâni, în loc de cele 5 săptămâni standard. (27 Iulie). Fără compromisuri în ceea ce privește calitatea.
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Patrocinio Barela (1900–1964) stands as a singular figure in twentieth-century Hispanic New Mexican art, recognized by scholars and artists alike as the inaugural Mexican-American artist to achieve widespread acclaim. Born around 1900—precise birthdates remain elusive—Barela’s formative years unfolded amidst hardship and itinerant labor, shaping his artistic vision profoundly.
His early life was marked by profound loss; both his mother and younger sister succumbed to illness before he reached adolescence. Largely self-educated, Barela pursued formal schooling for mere weeks, demonstrating an innate aversion to structured learning. He embarked on a nomadic existence as a steelworker, miner, railroad laborer, farmhand, and unionized carpenter—experiences that instilled in him a deep understanding of the human condition.
In 1930, he married Maria Sanchez, establishing a family rooted in Taos County, New Mexico. With seven children, Barela’s domestic life mirrored the turbulent currents of his broader world. Legend recounts that a priest encouraged him to repair a damaged wooden santo—a figure of St. Anthony—sparking his lifelong passion for wood carving.
His artistic journey commenced in 1931, propelled by an instinctive affinity for juniper and cedar. Barela’s distinctive style diverged markedly from the traditional santero practice of replicating centuries-old polychrome prototypes; instead, he crafted sculptures imbued with expressive primitivism, surrealism, and a palpable emotional resonance.
The Works Progress Administration (WPA) played an instrumental role in nurturing Barela's talent. Assigned to a horse-drawn cart, he participated in the Public Works of Art Project (PWAP), gaining recognition from critics nationwide—particularly Henry Moore, who likened his sculptures to those originating in Africa and Oceania.
Time magazine hailed Barela as “the discovery of the year,” cementing his place in art history. Two subsequent exhibitions showcased his work at the San Francisco Golden Gate Exposition and the American Art Today show at New York’s World’s Fair, further establishing him as a national sensation. His unwavering dedication to carving—despite facing considerable personal challenges—inspired generations of Hispanic New Mexican artists.
Barela's legacy extends beyond his artistic output; he fostered a family of artists who continue the tradition of crafting sacred objects from juniper and cedar. Today, his sculptures are treasured collector’s items, embodying a singular aesthetic that continues to captivate audiences worldwide.
1900 - 1964
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Opțiunea cu sticlă este disponibilă doar pentru dimensiuni de sub 110 cm
