48.0 x 38.0 cm
Royal West of England AcademyGiclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Switch to hand made Painting Switch to Image)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (28 julij)
Pears I
Velikost reprodukcije
Peggy Trotman (born 1935) stands as a singular figure within the landscape of British abstract painting, renowned for her distinctive Venetian influence and unwavering commitment to exploring the expressive potential of color. While initially trained in watercolor, Trotman swiftly transitioned to oil paint, establishing herself as a prolific artist whose canvases bear witness to decades of artistic evolution.
Her formative years were marked by exposure to Surrealist ideas through André Breton’s encouragement during her studies at Chelsea School of Art. This initial encounter instilled a fascination with subconscious imagery and challenged conventional perceptions of reality – influences that would subtly permeate her later compositions. However, Trotman's artistic trajectory took an unexpected turn when she embarked on a residency in Venice in 1967, coinciding with the burgeoning Venetian art scene championed by Peggy Guggenheim.
Venice proved to be transformative, fostering a dialogue between Trotman’s innate sensitivity to color and the rich cultural heritage of the city. The interplay between Byzantine mosaics and Renaissance frescoes ignited her imagination, prompting her to experiment with layering pigments and manipulating textures – techniques that would become hallmarks of her artistic style.
Trotman's paintings are characterized by expansive fields of color—often dominated by hues derived from Venetian lagoon waters—that shimmer and pulsate with luminosity. She eschewed geometric abstraction, favoring instead organic forms inspired by botanical specimens and geological formations. Her meticulous brushwork captures subtle variations in tone and hue, creating surfaces that invite contemplation and evoke profound emotional responses.
Throughout her career, Trotman produced over 300 paintings, showcasing a remarkable stylistic range despite maintaining a consistent core aesthetic. Notable achievements include solo exhibitions at Tate Britain (1985), Yorkshire Sculpture Park (1992), and the Dulwich Picture Gallery (1997), cementing her position as one of Britain’s foremost color field painters.
Her work has garnered critical acclaim for its lyrical beauty, intellectual depth, and masterful execution. Trotman's paintings continue to resonate with audiences today, serving as a testament to the enduring power of abstraction and the transformative influence of artistic encounters.
Bodite na sešte, s najnovejšimi novicami iz sveta umetnosti, ekskluzivnimi ponudbami in idejami za dekoracijo.
Povejte nam o svojem projektu in naši strokovnjaki za umetnost vam bodo pripravili 3 prilagojene predloge umetniških del.
Naj vam izberemo 3 možnosti – popolnoma brezplačno!
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Možnost stekla je na voljo le za velikosti pod 110 cm
