Surrealism
1955
44.0 x 66.0 cmGiclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Switch to hand made Painting
Switch to Image)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (29 јул)
Deux prostituées
Dimenzije reprodukcije
Endre Rozsda (Hungarian: rozsda endre; November 18, 1913 – September 16, 1999) was a Hungarian-French painter. Born in Mohács, a small city along the Danube River in Hungary, his childhood memories profoundly impacted his entire artistic journey. He received foundational training at the school of Vilmos Aba-Novák, laying the groundwork for his future explorations.
Rozsda’s early career blossomed with a successful solo exhibition in Budapest in 1936 at the ‘Tamás’ gallery. Critics lauded his work, and the Museum of Fine Arts acquired one of his paintings. This period was closely tied to Hungarian post-impressionism. However, a transformative experience – attending a concert by Béla Bartók – signaled a shift in his artistic direction. The German occupation forced his return to Budapest in 1943, where his unique surrealistic style began to fully mature.
After World War II, Rozsda became actively involved with the establishment of the European School, participating in numerous group exhibitions. This period saw him developing his signature surrealistic approach, drawing heavily on personal memories to conjure a unique and dreamlike world.
The suppression of the Hungarian Revolution in 1956 prompted Rozsda’s permanent relocation to France. In Paris, he connected with influential figures like Raymond Queneau and André Breton, who penned an introduction for his exhibition at the ‘Furstenberg’ gallery in 1957. He participated in the International Exhibition of Surrealism in Milan (1961). A significant achievement came in 1964 when he won the Copley Prize, judged by a distinguished panel including Hans Arp, Max Ernst, and Marcel Duchamp.
Rozsda’s work underwent further evolution from the 1960s onwards. He explored the interplay of architectonic structures and swirling colors, creating richly detailed microcosms. His artistic endeavor was driven by a desire “to control time” and dissolve reality through imagination, consistently relying on surrealist principles while embracing lyrical abstraction as his means of expression.
Rozsda’s contributions to the art world are marked by his unique ability to blend personal experience with surrealist techniques. His work stands as a testament to the power of memory and imagination. He left behind a significant body of paintings that continue to captivate audiences with their dreamlike quality and intricate detail.
Endre Rozsda’s artistic journey reflects the turbulent political landscape of 20th-century Europe. His exile from Hungary and embrace by the Parisian art scene highlight the role of art as a refuge and a means of expressing cultural identity. He remains an important figure in the history of Surrealism and lyrical abstraction, inspiring artists with his innovative approach to form and content.
1913 - 1999 , Hungary
Recite nam o vašem projektu i naši stručnjaci za umetnost će vam pružiti 3 personalizovana predloga umetničkih dela.
Dozvolite nam da odaberemo 3 opcije specijalno za Vas - Besplatno!