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Slajdovi
1962
87.0 x 52.0 cm
Muzej moderne umetnosti u Buenos AjesuGiclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade.
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (23 јул)
Opticar Structure
Dimenzije reprodukcije
Martha Boto (1925-2004) was a highly influential Argentinian artist renowned for her pioneering work in kinetic and programmed art. Born in Buenos Aires, Argentina, she demonstrated an early aptitude for visual arts. In 1944, Boto formally began her artistic training at the Escuela Superior de Bellas Artes, where she honed her skills in drawing and painting.
Boto’s initial artistic explorations centered around geometric abstraction. During the 1950s, she held several solo exhibitions showcasing these early works. However, a pivotal shift occurred in 1956 when she joined the “Arte Nuevo” group – a collective dedicated to concrete art. This association spurred her experimentation with innovative materials like plexiglass, light, and mirrors.
Boto was among the first artists in Buenos Aires to integrate movement as a fundamental element within her sculptural creations. In 1957, alongside her husband and artistic collaborator, Gregorio Vardanega, she co-founded “Artistas no figurativos de la argentina,” further solidifying her commitment to non-figurative art.
In 1959, Boto relocated to Paris with Vardanega, a move that proved crucial for her international recognition. The influential gallerist Denise René championed Boto’s work, providing her with opportunities to exhibit alongside leading figures in the kinetic art movement. She also participated in the inaugural Biennale de Paris.
During her time in Paris, Boto increasingly incorporated industrial materials – notably electric motors – into her sculptures. This integration of technology allowed for dynamic, moving artworks that challenged traditional notions of sculpture. Her work explored the interplay between light, space, and motion, creating immersive visual experiences.
Martha Boto’s contributions to kinetic and programmed art are widely celebrated. She is recognized as a key figure in Latin American modernism and a pioneer who expanded the boundaries of sculptural practice. Her innovative use of materials, incorporation of movement, and exploration of perceptual phenomena continue to inspire artists today. Her work remains a testament to the power of experimentation and the enduring appeal of abstract art.
1925 - 2004 , Argentina
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Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
