Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Switch to hand made Painting
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Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om det valda måttet inte överensstämmer med originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka bilden med en speglad eller enfärgad kant. En digital mockup skickas för ditt godkännande innan produktionen påbörjas.
Vänligen notera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast mockuppen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer ett mått från den fördefinierade listan för att bevara de ursprungliga proportionerna.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (29 juli)
Plowing at Gee
Storlek på reproduktion
Arthur Rothstein (1915-1985) was a prominent American photojournalist whose career spanned five decades. He is celebrated for his powerful and poignant documentation of rural life, particularly during the Great Depression and its aftermath. His work offers invaluable insights into a pivotal period in American history, capturing both hardship and resilience.
Born in Manhattan, New York City, and raised in the Bronx, Rothstein came from a family of Jewish immigrants. He developed an early interest in photography, which he pursued at Columbia University. While there, he founded the university camera club and served as the photography editor of the Columbian yearbook.
Rothstein’s career took a defining turn after graduating from Columbia during the Great Depression. He was invited to Washington D.C. by his former professor, Roy Stryker, who was establishing a photo unit within the Resettlement Administration (RA). Rothstein became the first photographer sent out by Stryker, embarking on a five-year journey documenting the lives of rural Americans.
Rothstein’s photographs captured the stark realities faced by farmers and sharecroppers during this era. He traveled extensively throughout the country, including assignments to document evictions in Virginia (for Shenandoah National Park) and conditions in the Dust Bowl and Montana cattle ranches. His work aimed to publicize the plight of the rural poor and garner support for New Deal programs.
One particularly significant assignment took Rothstein to Gee’s Bend, Alabama, a remote community of African American farmers. His photographs of the residents showcased their unique cultural heritage and resilience. These images offered a nuanced portrayal of life in Gee’s Bend, emphasizing dignity and self-sufficiency rather than solely focusing on hardship.
As the nation geared up for World War II, the Farm Security Administration (FSA) transitioned into the Office of War Information (OWI). Rothstein continued his work as a photographer, documenting wartime industries and homefront life. His role evolved to include more staged and propagandistic imagery reflecting the war effort.
After leaving the OWI, Rothstein pursued various photographic projects, including commercial assignments and educational work. He taught photography at several institutions and continued to document American life. While his later work didn’t achieve the same level of recognition as his FSA photographs, it demonstrated his versatility and commitment to visual storytelling.
Roy Stryker was a major influence on Rothstein's early career, shaping his approach to documentary photography and emphasizing its potential for social impact. The artistic style of the FSA photographers generally leaned towards social realism, aiming to depict subjects truthfully and without embellishment.
Arthur Rothstein's photographs are not merely historical documents; they are powerful works of art that continue to resonate with audiences today, reminding us of the challenges and triumphs of the human spirit.
1915 - 1985
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